A work in constant progress (and occasional regress).
Alias:
H. Sebastian Hoffman
Sebastian Hoffman
Sebastian Hofmann
Birthplace:
Mexico City, Mexico
Born:
January 1, 1980
Sebastián Hofmann (b. 1980, Mexico City), is a Mexican director, screenwriter, photographer and editor. Sebastián graduated from the Art Center College of Design in Pasadena, California. He took a master class in screenwriting in 2006 with director Todd Solondz. In 2010 he filmed the short film Jaime Tapones whose central theme inspired his debut feature. His work as a visual artist has been presented internationally in galleries and museums in New York, Sydney, Rio de Janeiro, Athens, Berlin, Santiago de Chile, Pasadena, Mexico City and Prague. His projects have been presented at the Sundance, Cannes, Rotterdam, Locarno, San Sebastian and other festivals and have won prestigious awards such as Best New Director at the Munich Film Festival, the Noves Visions Award at the Sitges Fantastic Film Festival, Best Film at the London East End Film Festival and Best Screenplay at Sundance. Sebastian's projects have received multiple funding and support, such as support for short films from IMCINE, FOPROCINE, EFICINE for production, the Hubert Bals Fund on two occasions and recently, the prestigious Netherlands Film Fund. Hofmann is the creator and star of Los Micro Burgueses, an independent web series of social criticism and absurd and irreverent humor. In 2011, he co-founded with producer Julio Chavezmontes the PIANO studio, an alternative film production house and auteur film distributor based in Mexico City. He is the son of Henner Hofmann, AMC, ASC, (born July, 1950) a Mexican cinematographer, producer and screenwriter
Associate Producer:
2018 Opus Zero
2021 Memoria
2024 Kill the Jockey
Co-Producer:
2016 We Are the Flesh
2018 Opus Zero
2018 The Gaze of the Sea
2021 Memoria
2024 Kill the Jockey
Director:
2012 Halley
2016 Ayotzinapa 26
2016 We Are the Flesh
2018 Opus Zero
2018 The Gaze of the Sea
2018 Time Share
2021 Memoria
2024 Kill the Jockey
???? Wraith
Director of Photography:
2012 Halley
2015 Echo of the Mountain
2016 Ayotzinapa 26
2016 We Are the Flesh
2018 Opus Zero
2018 The Gaze of the Sea
2018 Time Share
2021 Memoria
2024 Kill the Jockey
???? Wraith
Editor:
2012 Halley
2013 Diente por diente
2015 Echo of the Mountain
2016 Ayotzinapa 26
2016 We Are the Flesh
2018 Opus Zero
2018 The Gaze of the Sea
2018 Time Share
2020 Láctea
2021 Memoria
2024 Kill the Jockey
???? Wraith
Producer:
2012 Halley
2013 Diente por diente
2015 Echo of the Mountain
2016 Ayotzinapa 26
2016 We Are the Flesh
2018 Opus Zero
2018 The Gaze of the Sea
2018 Time Share
2020 Láctea
2021 Memoria
2024 Kill the Jockey
???? Wraith
Screenplay:
2011 Drought
2012 Halley
2013 Diente por diente
2015 Echo of the Mountain
2016 Ayotzinapa 26
2016 We Are the Flesh
2018 Opus Zero
2018 The Gaze of the Sea
2018 Time Share
2020 Láctea
2021 Memoria
2024 Kill the Jockey
???? Wraith
Second Unit Director:
2011 Drought
2012 Halley
2013 Diente por diente
2015 Echo of the Mountain
2016 Ayotzinapa 26
2016 We Are the Flesh
2018 Opus Zero
2018 The Gaze of the Sea
2018 Time Share
2020 Láctea
2021 Annette
2021 Memoria
2024 Kill the Jockey
???? Wraith
Writer:
2011 Drought
2012 Halley
2013 Diente por diente
2015 Echo of the Mountain
2016 Ayotzinapa 26
2016 We Are the Flesh
2018 Opus Zero
2018 The Gaze of the Sea
2018 Time Share
2020 Láctea
2021 Annette
2021 Memoria
2024 Kill the Jockey
???? Wraith
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.