A work in constant progress (and occasional regress).
Jim Butterworth is the founder and president of Naked Edge Films, as well as a technology entrepreneur. Jim’s first film, Seoul Train, has been in competition at more than 90 international film festivals (winning more than a dozen awards), was broadcast in 20 countries (including PBS in the U.S.), and has inspired countless grassroots and policy-level actions worldwide.
Co-Executive Producer:
2012 Petey & Ginger
Director:
2004 Seoul Train
2012 Petey & Ginger
Executive Producer:
2004 Seoul Train
2010 War Don Don
2012 Petey & Ginger
2012 The Revisionaries
2014 Silenced
2014 The Life and Mind of Mark DeFriest
2018 The Feeling of Being Watched
2019 The Infiltrators
2020 Red Heaven
2021 Pray Away
2022 Delikado
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.