Home

Trent Opaloch (b. 1969)

Birthplace:
Thunder Bay, Ontario, Canada

Born:
December 31, 1969

Biography from TheMovieDB

Trent Opaloch is a Canadian cinematographer best known for his work with directors Neill Blomkamp and the Russo brothers. His major works include District 9 (2009), Elysium (2013), Captain America: The Winter Soldier (2014), Chappie (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), and Avengers: Endgame (2019). In 2010, Opaloch was nominated for the BAFTA Award for Best Cinematography for his work on District 9. In 2020, Opaloch starred in the music video for Pearl Jam's single "Retrograde.".  Opaloch grew up in Thunder Bay, Ontario. He studied filmmaking at Confederation College before moving to Vancouver to start his professional career.  Description above from the Wikipedia article Trent Opaloch, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Cinematography:
2010  Badass Thieves

Director of Photography:
2006  Adicolor Yellow
2006  Tempbot
2007  Terminus
2009  District 9
2010  Badass Thieves
2012  Ghost Recon: Alpha
2013  Elysium
2014  Captain America: The Winter Soldier
2015  Chappie
2016  Captain America: Civil War
2017  Post No Bills
2018  Avengers: Infinity War
2019  Avengers: Endgame

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.