A work in constant progress (and occasional regress).
Birthplace:
Ciudad de México, México
Born:
October 20, 1980
Ianis Guerrero was born on October 20, 1980, in Mexico City. He began his acting training at the Instituto Superior de Arte in Havana, Cuba, and later continued his studies at the Théâtre National de Chaillot in Paris, France. Upon returning to Mexico, he founded the production company "Artepepan Films," with which he produced and wrote the feature film Malamados, directed by Pedro Ramírez. Throughout his career, he has been recognized for his work in film and television. In 2007, he won the Ariel Award for Best Short Film for Fin de Trayecto, directed by Acán Coen. Ianis has worked in several notable films, such as "Nosotros los Nobles" (2013), where he played Lucho, "A la mala" (2015), in which he portrayed an agent with a complicated backstory, and "Vuelven" (2017), a horror thriller where he played Caco. On television, he appeared in "Club de Cuervos" (2015-2019), playing Moisés, a football player with personal struggles, and in "Blue Demon" (2017), where he took on the role of Carlos Ruiz "Viento Negro," a character linked to professional wrestling. More recently, in 2022, he was part of the production of "La mujer del Diablo," where he portrayed Tarazona. In 2024, Ianis Guerrero starred in the film "El Halcón," playing "Pancho," a wrestler seeking redemption. Throughout his career, he has demonstrated great versatility in portraying various characters across different genres, solidifying his place as a prominent figure in Mexican entertainment.
Director:
2018 Juan And Vanesa
2022 Romper El Pacto
Writer:
2018 Juan And Vanesa
2022 Romper El Pacto
Story Consultant:
2015 Club de Cuervos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.