A work in constant progress (and occasional regress).
Alias:
Mathias Grunsky
Birthplace:
Vienna, Austria
Born:
August 15, 1971
Cinematography:
2020 Marlene
2020 Welcome Strangers
Director of Photography:
2002 Funny Ha Ha
2005 Mutual Appreciation
2008 Nights and Weekends
2009 Beeswax
2009 Sorry, Thanks
2013 Computer Chess
2015 Results
2017 Infinity Baby
2017 The Honor Farm
2018 Saints Rest
2018 Support the Girls
2020 Marlene
2020 Welcome Strangers
2022 Tales of Franz
2022 There There
2023 Wickedly Evil
2025 Leibniz – Chronicle of a Lost Painting
Second Unit Cinematographer:
2002 Funny Ha Ha
2005 Mutual Appreciation
2008 Nights and Weekends
2009 Beeswax
2009 Sorry, Thanks
2010 Basement Jack
2013 Computer Chess
2015 Results
2017 Infinity Baby
2017 The Honor Farm
2018 Saints Rest
2018 Support the Girls
2020 Marlene
2020 Welcome Strangers
2022 Tales of Franz
2022 There There
2023 Wickedly Evil
2025 Leibniz – Chronicle of a Lost Painting
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.