A work in constant progress (and occasional regress).
Additional Camera:
2018 Black Hole Apocalypse
Additional Photography:
2018 Black Hole Apocalypse
2019 ReMastered: Massacre at the Stadium
Chief Lighting Technician:
2002 Better Luck Tomorrow
2018 Black Hole Apocalypse
2019 ReMastered: Massacre at the Stadium
Cinematography:
2002 Better Luck Tomorrow
2013 Generation Iron
2018 Black Hole Apocalypse
2019 ReMastered: Massacre at the Stadium
Director of Photography:
2002 Better Luck Tomorrow
2002 Hungry Hearts
2003 The Challenge
2005 Kids in America
2005 Pervert!
2007 14 Women
2007 Eye of the Dolphin
2011 Five
2013 A Stranger in Paradise
2013 Generation Iron
2015 Jasmine
2015 The Bomb
2016 The Man Who Was Thursday
2018 Black Hole Apocalypse
2018 ReMastered: Tricky Dick & The Man in Black
2019 ReMastered: Massacre at the Stadium
Second Unit Director:
2002 Better Luck Tomorrow
2002 Hungry Hearts
2003 Monster
2003 The Challenge
2005 Kids in America
2005 Pervert!
2007 14 Women
2007 Eye of the Dolphin
2010 Bunraku
2011 Five
2013 A Stranger in Paradise
2013 Generation Iron
2015 Jasmine
2015 The Bomb
2016 The Man Who Was Thursday
2018 Black Hole Apocalypse
2018 ReMastered: Tricky Dick & The Man in Black
2019 ReMastered: Massacre at the Stadium
Second Unit Director of Photography:
2002 Better Luck Tomorrow
2002 Hungry Hearts
2003 Monster
2003 The Challenge
2005 Kids in America
2005 Pervert!
2007 14 Women
2007 Eye of the Dolphin
2010 Bunraku
2011 Five
2013 A Stranger in Paradise
2013 Generation Iron
2015 Jasmine
2015 The Bomb
2016 The Man Who Was Thursday
2018 Black Hole Apocalypse
2018 ReMastered: Tricky Dick & The Man in Black
2019 ReMastered: Massacre at the Stadium
Additional Camera:
2016 Betrayed
Director of Photography:
2003 Russians in the City of Angels
2016 Betrayed
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.