A work in constant progress (and occasional regress).
Alias:
Ádám Balázs
Balázs Ádám
Music:
2007 Arizona Seaside
2014 Afterlife
2014 Inner Demons
2018 Easy Lessons
2018 The Next Guardian
2018 Varjúháj
2019 Captives
2019 HajDani és MajDani
2019 Hármasban
2020 Lili
2020 The Inventor
2021 Christmas Flame
2022 Heights and Depths
2022 Maybe Tomorrow
2022 The Grandson
2024 Agent of Happiness
Music Supervisor:
2007 Arizona Seaside
2009 The Butterfly Effect 3: Revelations
2014 Afterlife
2014 Inner Demons
2018 Easy Lessons
2018 The Next Guardian
2018 Varjúháj
2019 Captives
2019 HajDani és MajDani
2019 Hármasban
2020 Lili
2020 The Inventor
2021 Christmas Flame
2022 Heights and Depths
2022 Maybe Tomorrow
2022 The Grandson
2024 Agent of Happiness
Orchestrator:
2007 Arizona Seaside
2009 The Butterfly Effect 3: Revelations
2014 Afterlife
2014 Inner Demons
2016 The Man Who Was Thursday
2018 Easy Lessons
2018 The Next Guardian
2018 Varjúháj
2019 Captives
2019 HajDani és MajDani
2019 Hármasban
2020 Lili
2020 The Inventor
2021 Christmas Flame
2022 Heights and Depths
2022 Maybe Tomorrow
2022 The Grandson
2024 Agent of Happiness
Original Music Composer:
2007 Arizona Seaside
2007 California Dreaming
2009 The Butterfly Effect 3: Revelations
2013 LAID: Life as It's Dealt
2014 Afterlife
2014 Inner Demons
2016 Sing
2016 The Man Who Was Thursday
2017 On Body and Soul
2018 Easy Lessons
2018 The Next Guardian
2018 Varjúháj
2019 Captives
2019 HajDani és MajDani
2019 Hármasban
2020 Lili
2020 The Inventor
2021 Christmas Flame
2022 Heights and Depths
2022 Maybe Tomorrow
2022 The Grandson
2023 Tony, Shelly and the Magic Light
2024 Agent of Happiness
Creator:
2015 One Summer Adventure
Music:
2012 In Treatment
2014 Shadows
2015 One Summer Adventure
2019 Cseppben az élet
2022 Ruxx
2023 #BringBackAlice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.