A work in constant progress (and occasional regress).
Alias:
Rob Lence
Robert J. Lence
Robert Lance
Роберт Ленс
로버트 렌스
Robert Lence has been a major contributor on some of the most successful films in the history of animated features. In his twenty-eight-year animation career, he has worked as a Screenwriter, Head of Story, Storyboard Artist, Visual Development Artist, and Story Consultant, helping create original characters, writing dialogue, and shaping the story on over a dozen major-release animated features. Robert has worked at Walt Disney, Pixar and Dreamworks. He worked in Beauty and the Beast (1991), The Lion King 2 (1998), A Bug's Life (1998) and Shrek 82001). Robert served as Co-Head of Story on Pixar's 1995 Toy Story, the first ever computer animated feature film.
Director:
2018 The Snow Queen: Mirror Lands
Screenplay:
2017 Tofu
2018 The Snow Queen: Mirror Lands
2019 Sheep & Wolves: Pig Deal
Story:
1991 Beauty and the Beast
1997 Cats Don't Dance
2004 Home on the Range
2006 Brother Bear 2
2017 Tofu
2018 The Snow Queen: Mirror Lands
2019 Sheep & Wolves: Pig Deal
Story Supervisor:
1991 Beauty and the Beast
1995 Toy Story
1997 Cats Don't Dance
2004 Home on the Range
2006 Brother Bear 2
2017 Tofu
2018 The Snow Queen: Mirror Lands
2019 Sheep & Wolves: Pig Deal
Writer:
1991 Beauty and the Beast
1995 Toy Story
1997 Cats Don't Dance
2004 Home on the Range
2006 Brother Bear 2
2016 The Snow Queen 3: Fire and Ice
2017 Tofu
2018 The Snow Queen: Mirror Lands
2019 Sheep & Wolves: Pig Deal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.