A work in constant progress (and occasional regress).
Alias:
Rob Kenner
Birthplace:
California, USA
From Wikipedia, the free encyclopedia. Robert Kenner is an American film and television screenwriter, television director, film director, film producer, and television producer. His career began in 1971 as an assistant cinematographer, and produced his first motion picture, 3:15 - The Moment of Truth, in 1984 (although it was not released until 1986). His second feature film did not come until 1991's Lonely Hearts. His first breakout project was the televised documentary The Lost Fleet of Guadalcanal, which he produced for the National Geographic Society and which aired in 1993 on PBS. The following year, he directed and produced Russia's Last Tsar for National Geographic and PBS. He also directed and produced America's Endangered Species: Don't Say Good-bye in 1996. The International Documentary Association presented the picture with the Strand Award for Best Documentary. Kenner began a long association with the award-winning PBS documentary television program American Experience in 1998. That year he directed and produced the widely reviewed Influenza, 1918 (about the 1918 flu pandemic)and followed it up with John Brown's Holy War (about abolitionist John Brown) in 2001. His first documentary which he wrote, directed and produced was War Letters, which aired on American Experience in 2001. The documentary is based on the 2001 New York Times best-selling book War Letters: Extraordinary Correspondence from American Wars by historian Andrew Carroll. He produced the episode, "The Road to Memphis," for the 2003 PBS documentary series, The Blues, and in 2005 produced and directed the Vietnam War documentary, Two Days in October. The documentary was the season premiere of American Experience. The film, which is based on David Maraniss' book They Marched into Sunlight, looks at the parallels between a Viet Cong ambush of a U.S. Army patrol (and the subsequent cover-up of the loss by the American military) and a violent clash between police and student protesters at the University of Wisconsin–Madison—events which occurred 24 hours apart in October 1967. The episode was nominated for and won the award for Exceptional Merit in Nonfiction Filmmaking at the 2006 Emmy Awards. In 2008, Kenner produced and directed the documentary film, Food, Inc., which examines large-scale agricultural food production in the United States, concluding that the meat and vegetables produced by this type of economic enterprise leads to inexpensive but environmentally harmful and unhealthy food. Description above from the Wikipedia article Robert Kenner, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Assistant Director:
1972 A Dancer's Life
Director:
1972 A Dancer's Life
1993 National Geographic: The Lost Fleet of Guadalcanal
1996 Jerusalem: City of Heaven
1998 America's Endangered Species: Don't Say Good-bye
1998 Influenza 1918
2000 John Brown's Holy War
2005 Two Days in October
2008 Food, Inc.
2011 When Strangers Click: Five Stories from the Internet
2014 Merchants of Doubt
2016 Command and Control
2024 Food, Inc. 2
Executive Producer:
1972 A Dancer's Life
1986 Blue City
1993 National Geographic: The Lost Fleet of Guadalcanal
1996 Jerusalem: City of Heaven
1998 America's Endangered Species: Don't Say Good-bye
1998 Influenza 1918
2000 John Brown's Holy War
2005 Two Days in October
2008 Food, Inc.
2011 When Strangers Click: Five Stories from the Internet
2014 Merchants of Doubt
2016 Command and Control
2024 Food, Inc. 2
Producer:
1972 A Dancer's Life
1986 Blue City
1991 Lonely Hearts
1993 National Geographic: The Lost Fleet of Guadalcanal
1996 Jerusalem: City of Heaven
1998 America's Endangered Species: Don't Say Good-bye
1998 Influenza 1918
2000 John Brown's Holy War
2003 The Road to Memphis
2005 Two Days in October
2008 Food, Inc.
2011 When Strangers Click: Five Stories from the Internet
2014 Merchants of Doubt
2016 Command and Control
2024 Food, Inc. 2
Production Director:
1972 A Dancer's Life
1986 Blue City
1991 Lonely Hearts
1993 National Geographic: The Lost Fleet of Guadalcanal
1996 Jerusalem: City of Heaven
1998 America's Endangered Species: Don't Say Good-bye
1998 Influenza 1918
2000 John Brown's Holy War
2003 The Road to Memphis
2005 Two Days in October
2008 Food, Inc.
2011 When Strangers Click: Five Stories from the Internet
2014 Merchants of Doubt
2016 Command and Control
2024 Food, Inc. 2
Writer:
1972 A Dancer's Life
1986 Blue City
1991 Lonely Hearts
1993 National Geographic: The Lost Fleet of Guadalcanal
1996 Jerusalem: City of Heaven
1998 America's Endangered Species: Don't Say Good-bye
1998 Influenza 1918
2000 John Brown's Holy War
2003 The Road to Memphis
2005 Two Days in October
2008 Food, Inc.
2011 When Strangers Click: Five Stories from the Internet
2014 Merchants of Doubt
2016 Command and Control
2024 Food, Inc. 2
Creator:
2019 The Confession Killer
Director:
1988 American Experience
1988 POV
2019 The Confession Killer
Executive Producer:
1988 American Experience
1988 POV
2019 The Confession Killer
Producer:
1988 American Experience
1988 POV
2003 The Blues
2019 The Confession Killer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.