A work in constant progress (and occasional regress).
Birthplace:
Long Beach, New York, U.S.
Born:
August 1, 1948
Died:
November 29, 2022
Aline Kominsky-Crumb (born Aline Goldsmith, August 1948, Long Beach, New York) is an American underground comics artist best known as the wife of cartoonist R. Crumb. She was born to a middle class Jewish family in the Five Towns area of Long Island. Her father was a largely unsuccessful businessman and organized crime associate. She later claimed that the social milieu shown in the movie Goodfellas (some of which was set in the Five Towns area) bore some resemblance to her own childhood. As a teenager, she turned towards drugs and the counterculture, and was a hanger-on to New York countercultural musicians such as The Fugs. Relocating to East Village during her college years, she began studying art at The Cooper Union. Soon after arriving in San Francisco, she was introduced to Robert Crumb by mutual friends, who noted an uncanny resemblance between her and the coincidentally-named Crumb character Honeybunch Kaminski. Their relationship soon became serious and they began living together not long after. She also fell in with the Wimmen's Comix collective, and contributed to the first issue of that series. After she and Diane Noomin had a falling out with Trina Robbins and other members of the collective, they started their own title, Twisted Sisters. Kominsky-Crumb has later claimed that a large part of her break with the Wimmen's Comix group was over feminist issues and particularly over her relationship with Robert Crumb, whom Robbins particularly disliked. Aline married Robert Crumb in 1978. Their daughter Sophie Crumb was born in 1981. Since the late 1970s, she and Robert have produced a series of collaborative comics called Dirty Laundry (also known as Aline & Bob's Dirty Laundry), a comic about the Crumb family life. Each of them drew his or her own characters for the comic. Later installments of Dirty Laundry feature contributions by Sophie, who also began producing comics in her teens. For several years during the 1980s, she was editor of Weirdo, a leading alternative comics anthology of the time, taking over editorship from Peter Bagge, who had taken over from original editor Robert Crumb. She was featured in a number of scenes in Crumb, the 1994 documentary about the Crumb family. Since the early 1990s, she and Robert have lived as expatriates in a small village in Languedoc-Roussillon. In addition to her comics work, Kominsky-Crumb is also a painter and since moving to France, has focused more on painting and less on producing comics. In February 2007 she released a memoir entitled Need More Love: A Graphic Memoir, a collection of her comics and paintings, along with photographs and autobiographical writings. Description above from the Wikipedia article Aline Kominsky-Crumb, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.