A work in constant progress (and occasional regress).
Alias:
Euripide
Euripidész
Birthplace:
Salamis Island, Greece
Euripides (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (Rhesus is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined — he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance. He also became "the most tragic of poets",[nb 1] focusing on the inner lives and motives of his characters in a way previously unknown. He was "the creator of ... that cage which is the theatre of Shakespeare's Othello, Racine's Phèdre, of Ibsen and Strindberg," in which "imprisoned men and women destroy each other by the intensity of their loves and hates". But he was also the literary ancestor of comic dramatists as diverse as Menander and George Bernard Shaw. Known among the writers of classical Athens for his unparalleled sympathy towards all victims of society, including women, slaves or strangers, his contemporaries associated him with Socrates as a leader of a decadent intellectualism. Both were frequently lampooned by comic poets such as Aristophanes. Socrates was eventually put on trial and executed as a corrupting influence. Ancient biographies hold that Euripides chose a voluntary exile in old age, dying in Macedonia, but recent scholarship casts doubt on these sources.
Author:
1979 Medea
1993 The Bacchae
Original Story:
1959 Medea
1970 Alkeste - Die Bedeutung, Protektion zu haben
1979 Medea
1993 The Bacchae
2010 From Euripides' Bacchae
2011 The Metropolitan Opera: Iphigénie en Tauride
2014 Conversion
2019 Medea
Story:
1959 Medea
1964 Dionysus
1970 Alkeste - Die Bedeutung, Protektion zu haben
1979 Medea
1993 The Bacchae
2010 From Euripides' Bacchae
2011 The Metropolitan Opera: Iphigénie en Tauride
2014 Conversion
2019 Medea
2020 Hippolyte et Aricie
Theatre Play:
1954 Medea
1959 Medea
1961 The Bacchantes
1962 Electra
1962 Phaedra
1963 Medea
1964 Dionysus
1965 Medea
1969 Medea
1970 Alkeste - Die Bedeutung, Protektion zu haben
1970 Dionysus in '69
1971 The Trojan Women
1977 Iphigenia
1978 A Dream of Passion
1979 Medea
1989 Medea
1993 The Bacchae
2001 Médée
2009 The Bacchae
2010 From Euripides' Bacchae
2011 The Metropolitan Opera: Iphigénie en Tauride
2014 Conversion
2014 National Theatre Live: Medea
2019 Medea
2020 Hippolyte et Aricie
2022 The Metropolitan Opera: Medea
Writer:
1954 Medea
1959 Medea
1961 The Bacchantes
1962 Electra
1962 Phaedra
1963 Medea
1964 Dionysus
1965 Medea
1967 The Trojan Women
1969 Medea
1969 Orestes
1970 Alkeste - Die Bedeutung, Protektion zu haben
1970 Dionysus in '69
1971 The Trojan Women
1977 Iphigenia
1978 A Dream of Passion
1979 Medea
1989 Medea
1993 The Bacchae
2001 Bash: Latter-Day Plays
2001 Médée
2008 Cassandra
2009 The Bacchae
2010 From Euripides' Bacchae
2011 The Metropolitan Opera: Iphigénie en Tauride
2012 Medea
2014 Conversion
2014 National Theatre Live: Medea
2019 Medea
2019 Électre / Oreste
2020 Hippolyte et Aricie
2020 Medea
2021 Le baccanti
2022 Medea
2022 The Metropolitan Opera: Medea
Theatre Play:
1985 Theatre Night
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.