Clyde Ware (1930-2010)

Birthplace:
Clarksburg, West Virginia, USA

Born:
December 22, 1930

Died:
August 30, 2010

Clyde Coster Ware, Jr (December 22, 1930 – August 30, 2010) was an American television and film screenwriter, director, and producer, best known for his teleplays for The Spy with My Face (1965), Gunsmoke (1965–67) and Coward of the County (1981).

Additional information:

The Search Form


Director:
1972  No Drums, No Bugles
1972  When the Line Goes Through
1974  The Story of Pretty Boy Floyd
1975  The Hatfields and the McCoys
1981  300 Miles for Stephanie
1988  Human Error
1989  Another Time, Another Place
1990  Bad Jim

Producer:
1972  No Drums, No Bugles
1972  When the Line Goes Through
1974  The Story of Pretty Boy Floyd
1975  The Hatfields and the McCoys
1981  300 Miles for Stephanie
1988  Human Error
1989  Another Time, Another Place
1990  Bad Jim

Screenplay:
1965  The Spy with My Face
1967  Catalina Caper
1972  No Drums, No Bugles
1972  When the Line Goes Through
1974  The Story of Pretty Boy Floyd
1975  The Hatfields and the McCoys
1981  300 Miles for Stephanie
1988  Human Error
1989  Another Time, Another Place
1990  Bad Jim

Teleplay:
1965  The Spy with My Face
1967  Catalina Caper
1972  No Drums, No Bugles
1972  When the Line Goes Through
1974  The Story of Pretty Boy Floyd
1975  The Hatfields and the McCoys
1981  300 Miles for Stephanie
1981  Coward of the County
1988  Human Error
1989  Another Time, Another Place
1990  Bad Jim

Writer:
1965  The Spy with My Face
1967  Catalina Caper
1969  The Silent Gun
1972  No Drums, No Bugles
1972  When the Line Goes Through
1974  All the Kind Strangers
1974  The Story of Pretty Boy Floyd
1975  The Hatfields and the McCoys
1981  300 Miles for Stephanie
1981  Coward of the County
1981  Sizzle
1987  The Alamo: Thirteen Days to Glory
1988  Human Error
1989  Another Time, Another Place
1990  Bad Jim
2010  Dreamkiller

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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