A work in constant progress (and occasional regress).
Alias:
Phillip Ahn
Phil Ahn
Philip Ann
Pil Lip Ahn
Pillip Ahn
Birthplace:
Highland Park, Los Angeles, California, USA
Born:
March 29, 1905
Died:
February 28, 1978
From Wikipedia, the free encyclopedia Philip Ahn (born Pil Lip Ahn (안필립), March 29, 1905 – February 28, 1978) was a Korean American actor. He was the first Korean American film actor to receive a star on the Hollywood Walk of Fame. Ahn's first film was A Scream in the Night in 1935. He appeared in the Bing Crosby film Anything Goes, though director Lewis Milestone had initially rejected him because his English was too good for the part. His first credited roles came in 1936 in The General Died at Dawn and Stowaway, opposite Shirley Temple. He starred opposite Anna May Wong in Daughter of Shanghai (1937) and King of Chinatown (1937). During World War II, Ahn often played Japanese villains in war films. Mistakenly thought to be Japanese, he received several death threats. He enlisted in the United States Army, having served in the Special Services as an entertainer. He was discharged early because of an injured ankle and returned to making films. Ahn appeared in Love Is a Many-Splendored Thing, Around the World in Eighty Days, Thoroughly Modern Millie and Paradise, Hawaiian Style, with Elvis Presley. He got to play Korean characters in Korean War movies such as Battle Circus (1953) and Battle Hymn (1956). In 1952, Ahn made his television debut on the Schlitz Playhouse, a series he would make three additional appearances on. Ahn would also be cast in four episodes of ABC's Adventures in Paradise, four episodes of the ABC/Warner Brothers crime drama Hawaiian Eye, and the CBS crime drama Hawaii Five-O. He made three appearances each on Crossroads, Bonanza, and M*A*S*H. He would also appear in two television movies. Ahn's most notable television role was as "Master Kan" on the television series Kung Fu. A Presbyterian, Ahn felt that the Taoist homilies his character quoted did not contradict his own religious faith.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.