Jeffrey Clifford

Jeffrey Clifford is the President of Heyday Films, the Warner Bros.–based production company founded by David Heyman. At Heyday, he produced The Light Between Oceans and served as executive producer on  Paddington and Paddington 2.  Prior to joining Heyday, Clifford led production and development at The Montecito Picture Company, the Paramount-affiliated partnership between Ivan Reitman and Tom Pollock. During his tenure, he produced Up in the Air, starring George Clooney, along with eight other films. He also co-managed Cold Spring Pictures, Montecito’s $200 million co-financing venture, and oversaw the company’s $2 million annual development fund.  Earlier in his career, Clifford was Vice President of Production at Warner Bros., overseeing films such as Firewall starring Harrison Ford and Darren Aronofsky’s The Fountain. Before that, he held the same role at Walt Disney/Touchstone Pictures for six years, overseeing projects including Wes Anderson’s The Royal Tenenbaums, Spike Lee’s 25th Hour, and M. Night Shyamalan’s Unbreakable.  Clifford began his career as an independent producer in New York, where he produced Safe Men, directed by John Hamburg. He graduated from Yale University in 1991.

Additional information:

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Executive Producer:
2009  I Love You, Man
2014  Paddington
2016  The Light Between Oceans
2017  Paddington 2
2024  Paddington in Peru

Producer:
1998  Safe Men
2009  I Love You, Man
2009  Post Grad
2009  Up in the Air
2010  Chloe
2011  No Strings Attached
2014  Paddington
2016  The Light Between Oceans
2017  Paddington 2
2024  Paddington in Peru
2025  The Rivals of Amziah King
2027  F.A.S.T.
????  Artificial
????  Methuselah
????  The Night Circus

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.