A work in constant progress (and occasional regress).
Birthplace:
Mexico City, Mexico
Born:
September 4, 1949
Paz Alicia Garciadiego (Born September, 1949 México D.F.) is a Mexican screenwriter and scholar, known for The Beginning and the End (Principio y fin, 1993), Deep Crimson (Profundo carmesí, 1996), and Bleak Street (2015). She and her husband Arturo Ripstein have worked together on film and television since 1986 with their first collaboration The Realm of Fortune (El imperio de la fortuna, 1986), winning multiple Ariel Awards in different categories. In 2013 Garcíadiego received the Salvador Toscano prize, awarded by the Cineteca Nacional, the Fundación Carmen Toscano and the Mexican Academy of Film Arts and Sciences.
Screenplay:
1986 The Realm of Fortune
1996 La mujer del puerto
1999 No One Writes to the Colonel
2000 The Ruination of Men
2011 The Reasons of the Heart
2015 Bleak Street
2019 Devil Between the Legs
Script Consultant:
1986 The Realm of Fortune
1996 La mujer del puerto
1999 No One Writes to the Colonel
2000 The Ruination of Men
2011 The Reasons of the Heart
2012 A Map for a Talk
2015 Bleak Street
2019 Devil Between the Legs
Writer:
1986 The Realm of Fortune
1989 Love Lies
1991 City of the Blind
1994 The Beginning and the End
1994 The Queen of the Night
1996 Deep Crimson
1996 La mujer del puerto
1998 Divine
1999 No One Writes to the Colonel
2000 Such is Life
2000 The Ruination of Men
2002 The Virgin of Lust
2006 Crazy Carnival
2011 The Reasons of the Heart
2012 A Map for a Talk
2015 Bleak Street
2019 Devil Between the Legs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.