A work in constant progress (and occasional regress).
Adaptation:
1944 El corsario negro
Director:
1944 El corsario negro
1945 La mulata de Córdoba
1946 Mas alla del amor
1948 Barrio de pasiones
1949 Lluvia de abuelos
1949 Otoño y primavera
1949 Revolt of the Ghosts
1950 Doctor on Call
1950 Esposa o amante
1950 Mariachis
1951 Entre abogados te veas
1952 Paco, el elegante
1952 Sangre en el barrio
1953 Cuarto de hotel
1955 A los cuatro vientos
1955 Alameda Central
1955 Bosque de Chapultepec
1955 Chain of lies
1956 Pensión de artistas
1956 Spring Symphony
1957 Asesinos, S.A.
1957 Dying of Laughter
Director of Photography:
1944 El corsario negro
1945 La mulata de Córdoba
1946 Mas alla del amor
1948 Barrio de pasiones
1949 Lluvia de abuelos
1949 Otoño y primavera
1949 Revolt of the Ghosts
1950 Doctor on Call
1950 Esposa o amante
1950 Mariachis
1951 Entre abogados te veas
1952 Paco, el elegante
1952 Sangre en el barrio
1953 Cuarto de hotel
1955 A los cuatro vientos
1955 Alameda Central
1955 Bosque de Chapultepec
1955 Chain of lies
1956 Pensión de artistas
1956 Spring Symphony
1957 Asesinos, S.A.
1957 Dying of Laughter
Screenplay:
1944 El corsario negro
1945 La mulata de Córdoba
1946 Mas alla del amor
1948 Barrio de pasiones
1949 Lluvia de abuelos
1949 Otoño y primavera
1949 Revolt of the Ghosts
1950 Doctor on Call
1950 Esposa o amante
1950 Mariachis
1951 Entre abogados te veas
1952 Paco, el elegante
1952 Sangre en el barrio
1953 Cuarto de hotel
1955 A los cuatro vientos
1955 Alameda Central
1955 Bosque de Chapultepec
1955 Chain of lies
1956 Pensión de artistas
1956 Spring Symphony
1957 Asesinos, S.A.
1957 Dying of Laughter
Story:
1944 El corsario negro
1945 La mulata de Córdoba
1946 Mas alla del amor
1948 Barrio de pasiones
1949 Lluvia de abuelos
1949 Otoño y primavera
1949 Revolt of the Ghosts
1950 Doctor on Call
1950 Esposa o amante
1950 Mariachis
1951 Entre abogados te veas
1952 Paco, el elegante
1952 Sangre en el barrio
1953 Cuarto de hotel
1955 A los cuatro vientos
1955 Alameda Central
1955 Bosque de Chapultepec
1955 Chain of lies
1956 Pensión de artistas
1956 Spring Symphony
1957 Asesinos, S.A.
1957 Dying of Laughter
Theatre Play:
1939 El cobarde
1944 El corsario negro
1945 La mulata de Córdoba
1946 Mas alla del amor
1948 Barrio de pasiones
1949 Lluvia de abuelos
1949 Otoño y primavera
1949 Revolt of the Ghosts
1950 Doctor on Call
1950 Esposa o amante
1950 Mariachis
1951 Entre abogados te veas
1952 Paco, el elegante
1952 Sangre en el barrio
1953 Cuarto de hotel
1955 A los cuatro vientos
1955 Alameda Central
1955 Bosque de Chapultepec
1955 Chain of lies
1956 Pensión de artistas
1956 Spring Symphony
1957 Asesinos, S.A.
1957 Dying of Laughter
Writer:
1939 El cobarde
1944 El corsario negro
1945 La mulata de Córdoba
1946 Mas alla del amor
1948 Barrio de pasiones
1949 Lluvia de abuelos
1949 Otoño y primavera
1949 Revolt of the Ghosts
1950 Doctor on Call
1950 Esposa o amante
1950 Mariachis
1951 Entre abogados te veas
1952 Paco, el elegante
1952 Sangre en el barrio
1953 Cuarto de hotel
1955 A los cuatro vientos
1955 Alameda Central
1955 Bosque de Chapultepec
1955 Chain of lies
1956 Pensión de artistas
1956 Spring Symphony
1957 Asesinos, S.A.
1957 Dying of Laughter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.