A work in constant progress (and occasional regress).
Adaptation:
1944  El corsario negro
Director:
1944  El corsario negro
1945  La mulata de Córdoba
1946  Mas alla del amor
1948  Barrio de pasiones
1949  Lluvia de abuelos
1949  Otoño y primavera
1949  Revolt of the Ghosts
1950  Doctor on Call
1950  Esposa o amante
1950  Mariachis
1951  Entre abogados te veas
1952  Paco, el elegante
1952  Sangre en el barrio
1953  Cuarto de hotel
1955  A los cuatro vientos
1955  Alameda Central
1955  Bosque de Chapultepec
1955  Chain of lies
1956  Pensión de artistas
1956  Spring Symphony
1957  Asesinos, S.A.
1957  Dying of Laughter
Director of Photography:
1944  El corsario negro
1945  La mulata de Córdoba
1946  Mas alla del amor
1948  Barrio de pasiones
1949  Lluvia de abuelos
1949  Otoño y primavera
1949  Revolt of the Ghosts
1950  Doctor on Call
1950  Esposa o amante
1950  Mariachis
1951  Entre abogados te veas
1952  Paco, el elegante
1952  Sangre en el barrio
1953  Cuarto de hotel
1955  A los cuatro vientos
1955  Alameda Central
1955  Bosque de Chapultepec
1955  Chain of lies
1956  Pensión de artistas
1956  Spring Symphony
1957  Asesinos, S.A.
1957  Dying of Laughter
Screenplay:
1944  El corsario negro
1945  La mulata de Córdoba
1946  Mas alla del amor
1948  Barrio de pasiones
1949  Lluvia de abuelos
1949  Otoño y primavera
1949  Revolt of the Ghosts
1950  Doctor on Call
1950  Esposa o amante
1950  Mariachis
1951  Entre abogados te veas
1952  Paco, el elegante
1952  Sangre en el barrio
1953  Cuarto de hotel
1955  A los cuatro vientos
1955  Alameda Central
1955  Bosque de Chapultepec
1955  Chain of lies
1956  Pensión de artistas
1956  Spring Symphony
1957  Asesinos, S.A.
1957  Dying of Laughter
Story:
1944  El corsario negro
1945  La mulata de Córdoba
1946  Mas alla del amor
1948  Barrio de pasiones
1949  Lluvia de abuelos
1949  Otoño y primavera
1949  Revolt of the Ghosts
1950  Doctor on Call
1950  Esposa o amante
1950  Mariachis
1951  Entre abogados te veas
1952  Paco, el elegante
1952  Sangre en el barrio
1953  Cuarto de hotel
1955  A los cuatro vientos
1955  Alameda Central
1955  Bosque de Chapultepec
1955  Chain of lies
1956  Pensión de artistas
1956  Spring Symphony
1957  Asesinos, S.A.
1957  Dying of Laughter
Theatre Play:
1939  El cobarde
1944  El corsario negro
1945  La mulata de Córdoba
1946  Mas alla del amor
1948  Barrio de pasiones
1949  Lluvia de abuelos
1949  Otoño y primavera
1949  Revolt of the Ghosts
1950  Doctor on Call
1950  Esposa o amante
1950  Mariachis
1951  Entre abogados te veas
1952  Paco, el elegante
1952  Sangre en el barrio
1953  Cuarto de hotel
1955  A los cuatro vientos
1955  Alameda Central
1955  Bosque de Chapultepec
1955  Chain of lies
1956  Pensión de artistas
1956  Spring Symphony
1957  Asesinos, S.A.
1957  Dying of Laughter
Writer:
1939  El cobarde
1944  El corsario negro
1945  La mulata de Córdoba
1946  Mas alla del amor
1948  Barrio de pasiones
1949  Lluvia de abuelos
1949  Otoño y primavera
1949  Revolt of the Ghosts
1950  Doctor on Call
1950  Esposa o amante
1950  Mariachis
1951  Entre abogados te veas
1952  Paco, el elegante
1952  Sangre en el barrio
1953  Cuarto de hotel
1955  A los cuatro vientos
1955  Alameda Central
1955  Bosque de Chapultepec
1955  Chain of lies
1956  Pensión de artistas
1956  Spring Symphony
1957  Asesinos, S.A.
1957  Dying of Laughter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.