A work in constant progress (and occasional regress).
Birthplace:
Mexico City, Mexico
Born:
March 11, 1942
Died:
October 21, 2020
Paul Leduc Rosenzweig (March 11, 1942 – October 21, 2020) was a Mexican film director. One of Leduc's most acclaimed works is Frida, naturaleza viva (1983 – marketed as Frida in the U.S.), a tribute to the indomitable spirit and determination of the painter Frida Kahlo.
Director:
1968 Communiqués 1, 2 and 4 from the National Strike Council
1968 Dispatches from the National Strike Council
1968 Religión en México: Chiapas
1970 Psicoprofilaxis
1973 Reed: Insurgent Mexico
1974 South: Southeast 2604
1975 Bach and his Interpreters
1975 Cultural Extension
1975 The Sea
1977 Ethnocide: Notes on El Mezquital
1977 Study for a Portrait: Francis Bacon
1978 Crowned Nuns
1978 Enrique Cabrera
1980 Forbidden Tales of Tom Thumb
1980 Las Historias prohibidas de Pulgarcito
1981 The Oil Conspiracy
1985 Crónica de un reventón
1985 El General constante y la bella Féferes
1985 Hurbanistorias
1986 Frida Still Life
1986 What Do You Think?
1989 Baroque
1991 Latino Bar
1992 Primer Encuentro Continental de la Pluralidad
1993 Dollar Mambo
1995 The Animals 1850 - 1950
1997 Bartolo's Flute
1998 La flauta de Bartolo o la invención de la música
1998 La pauta de Bartolo o la música del siglo XX
2007 Cobrador: In God We Trust
Editor:
1968 Communiqués 1, 2 and 4 from the National Strike Council
1968 Dispatches from the National Strike Council
1968 Religión en México: Chiapas
1970 Psicoprofilaxis
1973 Reed: Insurgent Mexico
1974 South: Southeast 2604
1975 Bach and his Interpreters
1975 Cultural Extension
1975 The Sea
1977 Ethnocide: Notes on El Mezquital
1977 Study for a Portrait: Francis Bacon
1978 Crowned Nuns
1978 Enrique Cabrera
1980 Forbidden Tales of Tom Thumb
1980 Las Historias prohibidas de Pulgarcito
1981 The Oil Conspiracy
1985 Crónica de un reventón
1985 El General constante y la bella Féferes
1985 Hurbanistorias
1986 Frida Still Life
1986 What Do You Think?
1989 Baroque
1991 Latino Bar
1992 Primer Encuentro Continental de la Pluralidad
1993 Dollar Mambo
1995 The Animals 1850 - 1950
1997 Bartolo's Flute
1998 La flauta de Bartolo o la invención de la música
1998 La pauta de Bartolo o la música del siglo XX
2007 Cobrador: In God We Trust
Producer:
1968 Communiqués 1, 2 and 4 from the National Strike Council
1968 Dispatches from the National Strike Council
1968 Religión en México: Chiapas
1970 Psicoprofilaxis
1973 Reed: Insurgent Mexico
1974 South: Southeast 2604
1975 Bach and his Interpreters
1975 Cultural Extension
1975 The Sea
1977 Ethnocide: Notes on El Mezquital
1977 Study for a Portrait: Francis Bacon
1978 Crowned Nuns
1978 Enrique Cabrera
1980 Forbidden Tales of Tom Thumb
1980 Las Historias prohibidas de Pulgarcito
1981 The Oil Conspiracy
1985 Crónica de un reventón
1985 El General constante y la bella Féferes
1985 Hurbanistorias
1986 Frida Still Life
1986 What Do You Think?
1989 Baroque
1991 Latino Bar
1992 Primer Encuentro Continental de la Pluralidad
1993 Dollar Mambo
1995 The Animals 1850 - 1950
1997 Bartolo's Flute
1998 La flauta de Bartolo o la invención de la música
1998 La pauta de Bartolo o la música del siglo XX
2007 Cobrador: In God We Trust
Sound Recordist:
1968 Communiqués 1, 2 and 4 from the National Strike Council
1968 Dispatches from the National Strike Council
1968 El grito
1968 Religión en México: Chiapas
1970 Psicoprofilaxis
1973 Reed: Insurgent Mexico
1974 South: Southeast 2604
1975 Bach and his Interpreters
1975 Cultural Extension
1975 The Sea
1977 Ethnocide: Notes on El Mezquital
1977 Study for a Portrait: Francis Bacon
1978 Crowned Nuns
1978 Enrique Cabrera
1980 Forbidden Tales of Tom Thumb
1980 Las Historias prohibidas de Pulgarcito
1981 The Oil Conspiracy
1985 Crónica de un reventón
1985 El General constante y la bella Féferes
1985 Hurbanistorias
1986 Frida Still Life
1986 What Do You Think?
1989 Baroque
1991 Latino Bar
1992 Primer Encuentro Continental de la Pluralidad
1993 Dollar Mambo
1995 The Animals 1850 - 1950
1997 Bartolo's Flute
1998 La flauta de Bartolo o la invención de la música
1998 La pauta de Bartolo o la música del siglo XX
2007 Cobrador: In God We Trust
Writer:
1968 Communiqués 1, 2 and 4 from the National Strike Council
1968 Dispatches from the National Strike Council
1968 El grito
1968 Religión en México: Chiapas
1970 Psicoprofilaxis
1971 Whoever is Responsible
1973 Reed: Insurgent Mexico
1974 South: Southeast 2604
1975 Bach and his Interpreters
1975 Cultural Extension
1975 The Sea
1977 Ethnocide: Notes on El Mezquital
1977 Study for a Portrait: Francis Bacon
1978 Crowned Nuns
1978 Enrique Cabrera
1980 Forbidden Tales of Tom Thumb
1980 Las Historias prohibidas de Pulgarcito
1981 The Oil Conspiracy
1985 Crónica de un reventón
1985 El General constante y la bella Féferes
1985 Hurbanistorias
1986 Frida Still Life
1986 What Do You Think?
1989 Baroque
1991 Latino Bar
1992 Primer Encuentro Continental de la Pluralidad
1993 Dollar Mambo
1995 The Animals 1850 - 1950
1997 Bartolo's Flute
1998 La flauta de Bartolo o la invención de la música
1998 La pauta de Bartolo o la música del siglo XX
2007 Cobrador: In God We Trust
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.