A work in constant progress (and occasional regress).
Birthplace:
Lecco, Italy
Born:
October 25, 1824
Died:
July 16, 1893
From Wikipedia, the free encyclopedia - https://en.wikipedia.org/wiki/Antonio_Ghislanzoni. Antonio Ghislanzoni (25 November 1824 – 16 July 1893) was an Italian journalist, poet, and novelist who wrote librettos for Verdi, among other composers, of which the best known are Aida and the revised version of La forza del destino. Ghislanzoni was born in Lecco, Lombardy, and studied briefly in a seminary, but was expelled for bad conduct in 1841. He then decided to study medicine in Pavia, but abandoned this after a short time to pursue a singing career as a baritone and to cultivate his literary interests. In 1848, stimulated by the nationalist ideas of Mazzini, Ghislanzoni founded several republican newspapers in Milan but eventually had to take refuge in Switzerland. While travelling to Rome, where he wanted to help defend the nascent republic, Ghislanzoni was arrested by the French and briefly detained in Corsica. In the mid-1850s, having forsaken the stage, Ghislanzoni became active in journalism in the bohemian circles of Milan, serving as director of Italia musicale and editor of the Gazzetta musicale di Milano. He also founded L'uomo di pietra the magazine Rivista minima, collaborating with, among others, Arrigo Boito. In 1869, Ghislanzoni retired from journalism and returned to his native Lombardy, where he dedicated himself to literature and writing libretti for operas. He wrote many short stories in verse and diverse novels including Un suicidio a fior d'acqua (1864), Angioli nelle tenebre (1865), La contessa di Karolystria (1883), Abracadabra and Storia dell'avvenire (1884). His novel of theatrical life Gli artisti da teatro, (1865), was republished into the 20th century. He also published musical essays, the most important being Reminiscenze artistiche. Ghislanzoni wrote some eighty-five libretti, including Edmea for Catalani (1866), Aida (1870), Fosca (1873) and Salvator Rosa (1874) for Gomes, I Lituani for Ponchielli (1874) and the second version of La forza del destino (1869). He also contributed a few verses to the revised translation into Italian of Verdi's Don Carlos. Ghislanzoni died in Caprino Bergamasco, Bergamo in 1893 at age 69. He was an atheist.
Opera:
2015 Aida
Writer:
1953 Aida
1981 Aida
1981 Aida - San Francisco Opera
1983 Don Carlo
1984 La Forza del Destino
1985 Aida
1985 Aida
1989 Aida
2003 Aida
2006 Aida
2006 Verdi: Aida
2009 Verdi: Aida
2012 Aida
2012 Aida
2012 The Metropolitan Opera: Aida
2013 Aida - Arena di Verona
2013 Verdi: Don Carlo
2015 Aida
2015 Aida
2015 Verdi Aida
2018 Verdi: Aida
2019 Aida: Grand Théâtre de Genève
2021 Giuseppe Verdi: Aida
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.