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Diego Velasco

Biography from TheMovieDB

Writer/Director Diego Velasco was born in the US and raised in Venezuela. His first feature, La Hora Cero (The Zero Hour) broke all Venezuelan Box Office records and garnered 35 festival awards. The Lincoln Center’s Film Comment Magazine called it “rare and special: an intelligent, finely constructed and wonderfully acted feature with a subversive message and a sting in the tail.”  Velasco’s next feature, The Whistler, is a thriller based on the Venezuelan legend of the same name, and was written by his wife and frequent collaborator, Carolina Paiz (Orange Is the New Black / Narcos) and is produced by Dillon D Jordan (The Kindergarten Teacher / Skin) with PaperChase films. On the TV front, Velasco directed the immigration episode for the final season of the Emmy-Award-winning Orange is the New Black, an episode which The New Yorker singled out as “brilliant.” He also directed for Jenji Kohan’s new Netflix comedy Teenage Bounty Hunters, premiering this August, and is currently the producer/director for Social Distance, Netflix’s first scripted anthology written and produced remotely during the COVID-19 pandemic.

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Film Production

Director:
2000  Cédula ciudadano
2010  The Zero Hour
2012  Cybergeddon
????  The Whistler

Writer:
2000  Cédula ciudadano
2010  The Zero Hour
2012  Cybergeddon
????  The Whistler

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TV Production

Co-Executive Producer:
2020  Social Distance

Director:
2013  Orange Is the New Black
2020  Diary of a Future President
2020  Social Distance
2020  Teenage Bounty Hunters

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.