A work in constant progress (and occasional regress).
Birthplace:
Parma, Italy
Born:
June 30, 1927
Died:
January 3, 2022
Mario Lanfranchi was an Italian film, theater, and television director, screenwriter, and producer. After graduating from the Academy of Dramatic Arts in Milan (Accademia dei Filodrammatici) in the early 1950s, he was hired by Sergio Pugliese at RAI, at the onset of Italian television. Lanfranchi was the first to bring opera to the small screen in 1956 with Madama Butterfly, introducing a wide audience to the American soprano Anna Moffo. He directed several films, including Libido (1965) and Death Sentence (1968), showcasing his versatility across different media. Lanfranchi's contributions to Italian television and cinema have left a lasting impact on the industry.
Director:
1956 La sonnambula
1956 Madama Butterfly
1958 Turandot
1962 La serva padrona
1967 La traviata
1968 Death Sentence
1974 The Kiss of Death
1976 Merciless Man
1976 The Mistress is Served
1982 Venezia, carnevale, un amore
Producer:
1956 La sonnambula
1956 Madama Butterfly
1958 Turandot
1962 La serva padrona
1967 La traviata
1968 Death Sentence
1974 The Kiss of Death
1976 Merciless Man
1976 The Mistress is Served
1982 Venezia, carnevale, un amore
Screenplay:
1956 La sonnambula
1956 Madama Butterfly
1958 Turandot
1962 La serva padrona
1967 La traviata
1968 Death Sentence
1974 The Kiss of Death
1976 Merciless Man
1976 The Mistress is Served
1982 Venezia, carnevale, un amore
Writer:
1956 La sonnambula
1956 Madama Butterfly
1958 Turandot
1962 La serva padrona
1967 La traviata
1968 Death Sentence
1974 The Kiss of Death
1976 Merciless Man
1976 The Mistress is Served
1982 Venezia, carnevale, un amore
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.