A work in constant progress (and occasional regress).
Born:
July 29, 1925
Died:
May 7, 1985
Dramaturgy:
1977 Já zůstanu věrný
1978 Slečna Rajka
1980 Poslední koncert
1985 Pod maskou
Idea:
1951 Alexandrovci u nás
1953 They Shall Not Pass
1977 Já zůstanu věrný
1978 Slečna Rajka
1980 Poslední koncert
1985 Pod maskou
Screenplay:
1949 Dnes o půl jedenácté
1951 Alexandrovci u nás
1951 Way Leading to Happiness
1953 They Shall Not Pass
1965 Případ Daniela
1977 Já zůstanu věrný
1978 Slečna Rajka
1980 Poslední koncert
1980 Smrt a Blažená paní
1985 Pod maskou
1990 Devět kapitol ze starého dějepisu
Screenstory:
1949 Dnes o půl jedenácté
1951 Alexandrovci u nás
1951 Way Leading to Happiness
1953 They Shall Not Pass
1965 Případ Daniela
1977 Já zůstanu věrný
1978 Slečna Rajka
1980 Poslední koncert
1980 Smrt a Blažená paní
1985 Pod maskou
1986 Záhada zamčeného pokoje
1990 Devět kapitol ze starého dějepisu
Story:
1949 Dnes o půl jedenácté
1951 Alexandrovci u nás
1951 Way Leading to Happiness
1953 They Shall Not Pass
1965 Případ Daniela
1977 Já zůstanu věrný
1978 Slečna Rajka
1980 Poslední koncert
1980 Smrt a Blažená paní
1985 Pod maskou
1986 Záhada zamčeného pokoje
1990 Devět kapitol ze starého dějepisu
Writer:
1949 Dnes o půl jedenácté
1951 Alexandrovci u nás
1951 Way Leading to Happiness
1953 They Shall Not Pass
1965 Případ Daniela
1977 Já zůstanu věrný
1978 Slečna Rajka
1980 Poslední koncert
1980 Smrt a Blažená paní
1983 Švédská zápalka
1985 Pod maskou
1986 Záhada zamčeného pokoje
1990 Devět kapitol ze starého dějepisu
Dramaturgy:
1981 Bocianie hniezdo
1983 Tři cesty k domovu
Screenplay:
1966 Dobrodružství Huckleberryho Finna
1981 Bocianie hniezdo
1983 Tři cesty k domovu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.