A work in constant progress (and occasional regress).
Alias:
Ana Pinhão
Associate Producer:
2019 The Domain
2020 Moral Order
Co-Producer:
2019 The Domain
2020 Moral Order
2020 Mosquito
Executive Producer:
2017 Sunbeat
2018 The Black Book
2019 Crooked Lines
2019 The Domain
2020 Moral Order
2020 Mosquito
2021 Silvestre
2022 Km 224
2022 Remains of the Wind
2024 The Worst Man in London
Producer:
2012 Passion
2017 Sunbeat
2018 The Black Book
2019 Crooked Lines
2019 The Domain
2020 Moral Order
2020 Mosquito
2020 Nightender
2021 Silvestre
2022 Field of Blood
2022 Km 224
2022 Remains of the Wind
2023 Dialogues After the End
2024 The Worst Man in London
Production Director:
2008 Veneno Cura
2012 Passion
2017 Sunbeat
2018 The Black Book
2019 Crooked Lines
2019 The Domain
2020 Moral Order
2020 Mosquito
2020 Nightender
2021 Silvestre
2022 Field of Blood
2022 Km 224
2022 Remains of the Wind
2023 Dialogues After the End
2024 The Worst Man in London
Production Manager:
2007 Private Life
2008 The Lovebirds
2008 Veneno Cura
2009 Twist of Fate
2012 Passion
2015 Cosmos
2016 An Outpost of Progress
2016 The Young One
2017 Sunbeat
2018 The Black Book
2019 Crooked Lines
2019 The Domain
2020 Moral Order
2020 Mosquito
2020 Nightender
2021 Silvestre
2022 Field of Blood
2022 Km 224
2022 Remains of the Wind
2023 Dialogues After the End
2024 The Worst Man in London
Production Manager:
2011 Mysteries of Lisbon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.