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Ana Pinhão Moura

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Alias:
Ana Pinhão

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Film Production

Associate Producer:
2019  The Domain
2020  Moral Order

Co-Producer:
2019  The Domain
2020  Moral Order
2020  Mosquito

Executive Producer:
2017  Sunbeat
2018  The Black Book
2019  Crooked Lines
2019  The Domain
2020  Moral Order
2020  Mosquito
2021  Silvestre
2022  Km 224
2022  Remains of the Wind
2024  The Worst Man in London

Producer:
2012  Passion
2017  Sunbeat
2018  The Black Book
2019  Crooked Lines
2019  The Domain
2020  Moral Order
2020  Mosquito
2020  Nightender
2021  Silvestre
2022  Field of Blood
2022  Km 224
2022  Remains of the Wind
2023  Dialogues After the End
2024  The Worst Man in London

Production Director:
2008  Veneno Cura
2012  Passion
2017  Sunbeat
2018  The Black Book
2019  Crooked Lines
2019  The Domain
2020  Moral Order
2020  Mosquito
2020  Nightender
2021  Silvestre
2022  Field of Blood
2022  Km 224
2022  Remains of the Wind
2023  Dialogues After the End
2024  The Worst Man in London

Production Manager:
2007  Private Life
2008  The Lovebirds
2008  Veneno Cura
2009  Twist of Fate
2012  Passion
2015  Cosmos
2016  An Outpost of Progress
2016  The Young One
2017  Sunbeat
2018  The Black Book
2019  Crooked Lines
2019  The Domain
2020  Moral Order
2020  Mosquito
2020  Nightender
2021  Silvestre
2022  Field of Blood
2022  Km 224
2022  Remains of the Wind
2023  Dialogues After the End
2024  The Worst Man in London

Click the heading above to show or hide the list.

TV Production

Production Manager:
2011  Mysteries of Lisbon

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.