A work in constant progress (and occasional regress).
Alias:
Marguerite Sarah Ducados
سارة مالدورور
Birthplace:
Condom, France
Born:
July 19, 1929
Died:
April 13, 2020
Sarah Maldoror (in Arabic: سارة مالدورور), whose real name was Marguerite Sarah Ducados, was a French filmmaker and director, born on July 19, 1929 in Condom (Gers) and died on April 13, 2020 in Fontenay-lès-Briis (Essonne). Her cinema is poetic but also political and committed. She is considered a leading figure in African cinema and the first female director on the continent. Born to a Guadeloupean father from Marie-Galante and a mother from Gers, she chose the artist name "Maldoror" in homage to the poet Lautréamont. In 1958, she created the first black troupe in Paris, "Les Griots", alongside Toto Bissainthe, Timoti Bassori and Samb Abambacar. One of their goals is to share and make known the texts of black authors, and to offer major roles to actors of African origin. Sarah Maldoror left for two years in Moscow to study cinema at VGIK under the guidance of Mark Donskoï. There she met the Senegalese filmmaker Ousmane Sembène. Companion of Mário Pinto de Andrade, Angolan poet and politician, she participated with him in the African liberation struggles. They gave birth to two daughters, Annouchka de Andrade and Henda Ducados. She returned to France in Saint-Denis. Mario de Andrade is the founder and first president of the MPLA (Movement for the Liberation of Angola). While he was secretary to Alioune Diop, founder of Présence africaine, he organized the first congress of black writers and artists in Paris (Sorbonne, 1958) and became a close friend of the poets Aimé Césaire, Léopold Sédar Senghor, Frantz Fanon and Richard Wright. It was in Algiers, where she moved in 1966, that she made her debut on the cinematographic front of the anti-colonial struggles: assistant on Gillo Pontecorvo's Battle of Algiers (1966) and William Klein's Pan-African Festival of Algiers 1969, a documentary, she soon made her first film, followed by a lost film shot in Guinea-Bissau and a first "fiction" feature film, Sambizanga (1972). Filmed in the Republic of Congo, based on an Angolan novel by José Luandino Vieira, adapted by his partner Pinto de Andrade with the French writer Maurice Pons, Sambizanga takes place in 1961 and describes the repression of the Angolan Liberation Movement from the point of view of Maria, the wife of a revolutionary activist imprisoned and tortured by the Portuguese army, who sets out to look for him across the country. Sarah Maldoror will direct more than forty short or feature-length films, fiction films or documentaries. Her gaze has focused in particular on the poets Aimé Césaire (five films), René Depestre or Louis Aragon, as well as the painters Ana Mercedes Hoyos, Joan Miró or Vlady. She died in April 2020 from Covid-19. In November 2021, "Sarah Maldoror, Cinéma Tricontinental" proposed by the Palais de Tokyo in Paris, is a retrospective of her work, her life and her political commitment. The exhibition continues at the Musée de l'Homme, the Musée de l'Histoire de l'immigration and the Musée d'Art et d'Histoire Paul Éluard in Saint-Denis.
Assistant Director:
1966 The Battle of Algiers
1966 The Women
1969 The Panafrican Festival in Algiers
Creative Consultant:
1966 The Battle of Algiers
1966 The Women
1969 The Panafrican Festival in Algiers
Director:
1966 The Battle of Algiers
1966 The Women
1968 Monangambeee
1969 The Panafrican Festival in Algiers
1970 Guns for Banta
1972 Saint-Denis-sur-Avenir
1973 Sambizanga
1976 Aimé Césaire, Un homme une terre
1976 And the Dogs Were Silent
1977 Aimé Césaire at the End of Daybreak
1977 The Basilica of Saint-Denis
1978 Louis Aragon, a mask in Paris
1978 Père Lachaise Cemetery
1979 Carnival in the Sahel
1979 Fogo, Fire Island
1979 Foreign-Inspired Architecture in Paris
1979 Miró, The Painter
1980 Carnival in Bissau
1980 Opening of the Theater Noir in Paris
1980 Wielopole, Wielopole as Staged by Kantor
1980 Wifredo Lam
1981 Dessert for Constance
1982 René Depestre, poète haïtien
1983 The Hospital of Leningrad
1984 Claudel in Reims
1984 Robert Lapoujade, peintre
1984 Toto Bissainthe
1985 Portrait of Christiane Diop
1985 Portrait of an African Woman
1985 Public Writer
1986 A Senegalese Man in Normandy
1986 Alberto Carlisky
1986 Emanuel Ungaro
1986 First International Conference for Black Women
1986 Point Virgule
1986 Point Virgule, Youth Journal
1986 Tunisian Literature at the French National Library
1987 Aimé Césaire: The Mask of Words
1987 Le Passager du Tassili
1987 Rencontre avec Assia Djebar
1987 Robert Doisneau, photographe
1989 Vlady
1995 Léon G. Damas
1996 L'Enfant cinéma
1998 Tribu du bois de l'E
2003 Memory's Gaze
2005 Les oiseaux mains
2005 Scala Milan AC
2009 Ana Mercedes Hoyos
2009 Papa Césaire
Script:
1966 The Battle of Algiers
1966 The Women
1968 Monangambeee
1969 The Panafrican Festival in Algiers
1970 Guns for Banta
1972 Saint-Denis-sur-Avenir
1973 Sambizanga
1976 Aimé Césaire, Un homme une terre
1976 And the Dogs Were Silent
1977 Aimé Césaire at the End of Daybreak
1977 The Basilica of Saint-Denis
1978 Louis Aragon, a mask in Paris
1978 Père Lachaise Cemetery
1979 Carnival in the Sahel
1979 Fogo, Fire Island
1979 Foreign-Inspired Architecture in Paris
1979 Miró, The Painter
1980 Carnival in Bissau
1980 Opening of the Theater Noir in Paris
1980 Wielopole, Wielopole as Staged by Kantor
1980 Wifredo Lam
1981 Dessert for Constance
1982 René Depestre, poète haïtien
1983 The Hospital of Leningrad
1984 Claudel in Reims
1984 Robert Lapoujade, peintre
1984 Toto Bissainthe
1985 Portrait of Christiane Diop
1985 Portrait of an African Woman
1985 Public Writer
1986 A Senegalese Man in Normandy
1986 Alberto Carlisky
1986 Emanuel Ungaro
1986 First International Conference for Black Women
1986 Point Virgule
1986 Point Virgule, Youth Journal
1986 Tunisian Literature at the French National Library
1987 Aimé Césaire: The Mask of Words
1987 Le Passager du Tassili
1987 Rencontre avec Assia Djebar
1987 Robert Doisneau, photographe
1989 Vlady
1995 Léon G. Damas
1996 L'Enfant cinéma
1998 Tribu du bois de l'E
2003 Memory's Gaze
2005 Les oiseaux mains
2005 Scala Milan AC
2009 Ana Mercedes Hoyos
2009 Papa Césaire
Writer:
1966 The Battle of Algiers
1966 The Women
1968 Monangambeee
1969 The Panafrican Festival in Algiers
1970 Guns for Banta
1972 Saint-Denis-sur-Avenir
1973 Sambizanga
1976 Aimé Césaire, Un homme une terre
1976 And the Dogs Were Silent
1977 Aimé Césaire at the End of Daybreak
1977 The Basilica of Saint-Denis
1978 Louis Aragon, a mask in Paris
1978 Père Lachaise Cemetery
1979 Carnival in the Sahel
1979 Fogo, Fire Island
1979 Foreign-Inspired Architecture in Paris
1979 Miró, The Painter
1980 Carnival in Bissau
1980 Opening of the Theater Noir in Paris
1980 Wielopole, Wielopole as Staged by Kantor
1980 Wifredo Lam
1981 Dessert for Constance
1982 René Depestre, poète haïtien
1983 The Hospital of Leningrad
1984 Claudel in Reims
1984 Robert Lapoujade, peintre
1984 Toto Bissainthe
1985 Portrait of Christiane Diop
1985 Portrait of an African Woman
1985 Public Writer
1986 A Senegalese Man in Normandy
1986 Alberto Carlisky
1986 Emanuel Ungaro
1986 First International Conference for Black Women
1986 Point Virgule
1986 Point Virgule, Youth Journal
1986 Tunisian Literature at the French National Library
1987 Aimé Césaire: The Mask of Words
1987 Le Passager du Tassili
1987 Rencontre avec Assia Djebar
1987 Robert Doisneau, photographe
1989 Vlady
1995 Léon G. Damas
1996 L'Enfant cinéma
1998 Tribu du bois de l'E
2003 Memory's Gaze
2005 Les oiseaux mains
2005 Scala Milan AC
2009 Ana Mercedes Hoyos
2009 Papa Césaire
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.