A work in constant progress (and occasional regress).
Alias:
Tchavdar Gueorguiev
Чавдар Георгиев
Tchavdar Georgiev is an Emmy-nominated filmmaker and a member of ACE (American Cinema Editors). He edited the two times Emmy-nominated “Valentine Road” (HBO) as well as “Finders Keepers,” both of which premiered at Sundance. He wrote, co-produced and edited “Off The Rails” (Hot Docs, Full Frame, Sundance Channel) that won many awards including DOC NYC FF. He directed and edited together with Dana Berry for Nat Geo “Finding the Next Earth” and edited the Emmy-nominated “Alien Earths.” He also edited on “The American Meme” (Tribeca FF, Hot Docs, Netflix Original). He has also written, produced, directed or edited for BBC, History Channel, USA Network, STARZ and Amazon Studios.
Associate Editor:
2009 We Live in Public
Cinematography:
2009 We Live in Public
2015 Pause of the Clock
Co-Producer:
2009 We Live in Public
2015 Pause of the Clock
2016 Off the Rails
Consulting Editor:
2009 We Live in Public
2015 Pause of the Clock
2016 Off the Rails
2021 Trans in Trumpland
Director:
2009 We Live in Public
2011 The Desert of Forbidden Art
2015 Pause of the Clock
2016 Off the Rails
2021 Trans in Trumpland
2022 Tokyo Giant: The Legend of Victor Starffin
Editor:
2003 Surrender
2005 Phoenix Point
2006 Bastards
2009 Alien Earths
2009 We Live in Public
2011 The Desert of Forbidden Art
2015 Finders Keepers
2015 Pause of the Clock
2016 Off the Rails
2016 Wrestling Alligators
2017 Nude
2017 Served Like a Girl
2018 The American Meme
2020 Belly of the Beast
2021 Trans in Trumpland
2022 Tokyo Giant: The Legend of Victor Starffin
Post Production Supervisor:
2003 Surrender
2005 Phoenix Point
2006 Bastards
2009 Alien Earths
2009 We Live in Public
2011 RiseUp
2011 The Desert of Forbidden Art
2015 Finders Keepers
2015 Pause of the Clock
2016 Off the Rails
2016 Wrestling Alligators
2017 Nude
2017 Served Like a Girl
2018 The American Meme
2020 Belly of the Beast
2021 Trans in Trumpland
2022 Tokyo Giant: The Legend of Victor Starffin
Producer:
2003 Surrender
2005 Phoenix Point
2006 Bastards
2009 Alien Earths
2009 We Live in Public
2011 RiseUp
2011 The Desert of Forbidden Art
2012 The Nevsky Prospect
2015 Finders Keepers
2015 Pause of the Clock
2016 Off the Rails
2016 Wrestling Alligators
2017 Nude
2017 Served Like a Girl
2018 The American Meme
2019 Bagatelle
2020 Belly of the Beast
2021 Trans in Trumpland
2022 Tokyo Giant: The Legend of Victor Starffin
Screenplay:
2003 Surrender
2005 Phoenix Point
2006 Bastards
2009 Alien Earths
2009 We Live in Public
2011 RiseUp
2011 The Desert of Forbidden Art
2012 The Nevsky Prospect
2015 Finders Keepers
2015 Pause of the Clock
2016 Off the Rails
2016 Wrestling Alligators
2017 Nude
2017 Served Like a Girl
2018 The American Meme
2019 Bagatelle
2020 Belly of the Beast
2021 Trans in Trumpland
2022 Tokyo Giant: The Legend of Victor Starffin
Writer:
2003 Surrender
2005 Phoenix Point
2006 Bastards
2009 Alien Earths
2009 We Live in Public
2011 RiseUp
2011 The Desert of Forbidden Art
2012 The Nevsky Prospect
2013 Fight Like a Girl
2015 Finders Keepers
2015 Pause of the Clock
2016 Off the Rails
2016 Wrestling Alligators
2017 Nude
2017 Served Like a Girl
2018 Beyond the Bolex
2018 The American Meme
2019 Bagatelle
2020 Belly of the Beast
2021 Larry Flynt for President
2021 Trans in Trumpland
2022 Tokyo Giant: The Legend of Victor Starffin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.