Miloš Kopecký (1922-1996)

Alias:
Milos Kopecky
Milos Kopecký

Birthplace:
Prague, Czechoslovakia [now Czech Republic]

Born:
August 22, 1922

Died:
February 16, 1996

Miloš Kopecký was a Czech actor, active mainly in the second half of the 20th century.  He was born into the family of craftsmen, Kopecký was involved with music and theater throughout his entire life.  Starting on stage in 1939, as a member of an amateur elocution group, Kopecký performed with numerous young artists during the German occupation of then Czechoslovakia.  Near the end of World War II, Kopecký’s mother was murdered at the Auschwitz concentration camp for her Jewish heritage, while Miloš was interned in the labor camp Bystřice u Benešova.  He would later credit these experiences as the cause for his struggle with Bipolar Disorder, then known as Manic-Depressive Disease.   Following the liberation, Kopecký began acting in the avant-garde studio Větrník in 1945, before joining the Vinohrady Theatre in 1965 at the behest of then-director František Pavlíček.  Kopecký  continued to make guest appearances at theaters throughout Prague, working with many notable actors of his era before appearing on film and television.  His first minor role was in the historic film Jan Roháč z Dubé (1947), but he quickly graduated to more important characters and gradually became one of the most popular actors in Czechoslovakia.   He may be best known today as Dr. Štrosmajer in the Czech television series Nemocnice na kraji města.  During his career he played mainly negative roles of traitors, lechers, and villain, which he famously depicted with elegance and esprit.    In the mid-1980s Kopecký acted in a politically biased documentary film about emigrants, and also presented very critical speech against current communist régimes in May, 1987, at the Fourth Congress of Dramatic Artists.  He was married five times, at one point to Czech actress Stella Zázvorková.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.