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Lionel Rogosin (1924-2000)

Birthplace:
New York City, New York, USA

Born:
January 23, 1924

Died:
December 8, 2000

Biography from TheMovieDB

Lionel Rogosin was an independent American filmmaker. Rogosin worked in political cinema, non-fiction partisan filmmaking and docufiction, influenced by Italian neorealism and Robert Flaherty.

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Additional information:

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Film Performances

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Film Production

Director:
1957  On the Bowery
1957  Out
1959  Come Back, Africa
1966  Good Times, Wonderful Times
1966  How Do You Like Them Bananas
1966  Oysters Are in Season
1970  Black Roots
1972  Black Fantasy
1973  Woodcutters of the Deep South
1974  Arab-Israeli Dialogue

Producer:
1956  Out
1957  On the Bowery
1957  Out
1959  Come Back, Africa
1966  Good Times, Wonderful Times
1966  How Do You Like Them Bananas
1966  Oysters Are in Season
1970  Black Roots
1972  Black Fantasy
1973  Woodcutters of the Deep South
1974  Arab-Israeli Dialogue

Writer:
1956  Out
1957  On the Bowery
1957  Out
1959  Come Back, Africa
1966  Good Times, Wonderful Times
1966  How Do You Like Them Bananas
1966  Oysters Are in Season
1970  Black Roots
1972  Black Fantasy
1973  Woodcutters of the Deep South
1974  Arab-Israeli Dialogue

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.