Nathan Matthew David

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From comic book adaptations to award-winning documentaries, Filipino-American composer Nathan Matthew David has scored some of the most exciting projects of the last few years. His dark synth and guitar driven work was recently heard on the Russo Brothers' adaptation of the acclaimed comic 'Deadly Class'. And his emotional and poignant music featured in the powerful and Peabody Award-winning docu-series 'Surviving R. Kelly'. For the latter, he also took home an ASCAP 2020 Screen Award.  Born to Filipinx immigrants, his family taught him music at a young age. His curiosity would lead him to play in bands and to study film scoring at USC's prestigious Scoring For Motion Pictures and Television program. He would go on to be mentored by and collaborate with Oscar-winning composer Ludwig Goransson (Black Panther) and Theodore Shapiro (Bombshell). With the former, he co-composed the A24 film starring Chance The Rapper, 'SLICE'.

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Music:
2008  The Lost Coast
2009  A Plus D
2009  Command or Truth
2009  The Far Side of Laughter
2009  The Olive Depression
2009  The Philosopher Kings
2011  Beirut... Hide and Seek
2011  Less
2014  The Real Death Valley: The Untold Story of Mass Graves and Migrant Deaths in South Texas
2015  Don Quixote: The Ingenious Gentleman of La Mancha
2015  Painting Anna
2015  The House on Pine Street
2017  Actors Anonymous
2017  The Suitcase
2019  Where We Disappear
2021  Beauty Queen
2024  Nurse Unseen

Music Programmer:
2008  The Lost Coast
2009  A Plus D
2009  Command or Truth
2009  The Far Side of Laughter
2009  The Olive Depression
2009  The Philosopher Kings
2011  Beirut... Hide and Seek
2011  Less
2014  The Real Death Valley: The Untold Story of Mass Graves and Migrant Deaths in South Texas
2015  Don Quixote: The Ingenious Gentleman of La Mancha
2015  Painting Anna
2015  The House on Pine Street
2017  Actors Anonymous
2017  The Suitcase
2019  Bombshell
2019  Where We Disappear
2021  Beauty Queen
2024  Nurse Unseen

Original Music Composer:
2008  The Lost Coast
2009  A Plus D
2009  Command or Truth
2009  The Afterlight
2009  The Far Side of Laughter
2009  The Olive Depression
2009  The Philosopher Kings
2011  Beirut... Hide and Seek
2011  First Generation
2011  Less
2013  10 Rules for Sleeping Around
2013  Welcome Nowhere
2014  The Real Death Valley: The Untold Story of Mass Graves and Migrant Deaths in South Texas
2015  Addicted to Fresno
2015  Don Quixote: The Ingenious Gentleman of La Mancha
2015  Drunk Wedding
2015  Painting Anna
2015  The House on Pine Street
2017  Actors Anonymous
2017  The Last Word
2017  The Suitcase
2018  Slice
2018  Summer '03
2019  Bombshell
2019  The Game Changers
2019  Where We Disappear
2020  Curtis
2021  American Insurrection
2021  Beauty Queen
2021  Hypnotic
2023  Joy Ride
2023  Stephen Curry: Underrated
2024  Nurse Unseen

Original Music Composer:
2016  Angie Tribeca
2019  Deadly Class
2021  Young Rock
2024  The Brothers Sun

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.