A work in constant progress (and occasional regress).
From comic book adaptations to award-winning documentaries, Filipino-American composer Nathan Matthew David has scored some of the most exciting projects of the last few years. His dark synth and guitar driven work was recently heard on the Russo Brothers' adaptation of the acclaimed comic 'Deadly Class'. And his emotional and poignant music featured in the powerful and Peabody Award-winning docu-series 'Surviving R. Kelly'. For the latter, he also took home an ASCAP 2020 Screen Award. Born to Filipinx immigrants, his family taught him music at a young age. His curiosity would lead him to play in bands and to study film scoring at USC's prestigious Scoring For Motion Pictures and Television program. He would go on to be mentored by and collaborate with Oscar-winning composer Ludwig Goransson (Black Panther) and Theodore Shapiro (Bombshell). With the former, he co-composed the A24 film starring Chance The Rapper, 'SLICE'.
Music:
2008 The Lost Coast
2009 A Plus D
2009 Command or Truth
2009 The Far Side of Laughter
2009 The Olive Depression
2009 The Philosopher Kings
2011 Beirut... Hide and Seek
2011 Less
2014 The Real Death Valley: The Untold Story of Mass Graves and Migrant Deaths in South Texas
2015 Don Quixote: The Ingenious Gentleman of La Mancha
2015 Painting Anna
2015 The House on Pine Street
2017 Actors Anonymous
2017 The Suitcase
2019 Where We Disappear
2021 Beauty Queen
2024 Nurse Unseen
Music Programmer:
2008 The Lost Coast
2009 A Plus D
2009 Command or Truth
2009 The Far Side of Laughter
2009 The Olive Depression
2009 The Philosopher Kings
2011 Beirut... Hide and Seek
2011 Less
2014 The Real Death Valley: The Untold Story of Mass Graves and Migrant Deaths in South Texas
2015 Don Quixote: The Ingenious Gentleman of La Mancha
2015 Painting Anna
2015 The House on Pine Street
2017 Actors Anonymous
2017 The Suitcase
2019 Bombshell
2019 Where We Disappear
2021 Beauty Queen
2024 Nurse Unseen
Original Music Composer:
2008 The Lost Coast
2009 A Plus D
2009 Command or Truth
2009 The Afterlight
2009 The Far Side of Laughter
2009 The Olive Depression
2009 The Philosopher Kings
2011 Beirut... Hide and Seek
2011 First Generation
2011 Less
2013 10 Rules for Sleeping Around
2013 Welcome Nowhere
2014 The Real Death Valley: The Untold Story of Mass Graves and Migrant Deaths in South Texas
2015 Addicted to Fresno
2015 Don Quixote: The Ingenious Gentleman of La Mancha
2015 Drunk Wedding
2015 Painting Anna
2015 The House on Pine Street
2017 Actors Anonymous
2017 The Last Word
2017 The Suitcase
2018 Slice
2018 Summer '03
2019 Bombshell
2019 The Game Changers
2019 Where We Disappear
2020 Curtis
2021 American Insurrection
2021 Beauty Queen
2021 Hypnotic
2023 Joy Ride
2023 Stephen Curry: Underrated
2024 Nurse Unseen
Original Music Composer:
2016 Angie Tribeca
2019 Deadly Class
2021 Young Rock
2024 The Brothers Sun
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.