A work in constant progress (and occasional regress).
Alias:
Joseph M. Schimmel
Joseph Schimmel
Birthplace:
Simi Valley, California, USA
JOE SCHIMMEL has been equipping Christians with the truth of God’s word since 1987. His powerful testimony can be heard in his landmark documentary, “They Sold Their Souls for Rock n Roll,” which has been televised, viewed on DVD, online, and presented live around the world to millions of people. Schimmel’s calling is to carefully research growing trends and ideas that attempt to undermine biblical Christianity, having released subsequent critically acclaimed documentaries such as, “Marvel & DC’s War on God,” “The Submerging Church”, “Hollywood’s War on God”, and “The Kinsey Syndrome”. Joe is also the co-host of the popular video podcast The Good Fight Radio Show along with Chad Davidson, which airs once per week to an audience of millions of people worldwide. Parallel to the outreach of Good Fight Ministries, Joe’s ministry at his home church, Blessed Hope Chapel, continues to strengthen and grow families and individuals alike in their walk with Christ. To read Joe’s full bio, visit goodfight.org
Director:
2004 They Sold Their Souls for Rock and Roll
2005 Harry Potter: A Spirit Conspiracy?
2006 Hollywood's War on God
2010 The Dark Secrets of Planned Parenthood
2012 The Submerging Church
2015 Left Behind or Led Astray?: Examining the Origins of the Secret Pre-Tribulation Rapture
2017 A Shack of Lies
2022 Marvel & DC's War on God: Doctor Strange, Aleister Crowley and the Multiverse of Satanism
2022 Marvel & DC's War on God: The Antichrist Agenda
Executive Producer:
2004 They Sold Their Souls for Rock and Roll
2005 Harry Potter: A Spirit Conspiracy?
2006 Hollywood's War on God
2008 The Kinsey Syndrome
2010 The Dark Secrets of Planned Parenthood
2011 The Kinsey Syndrome
2012 The Submerging Church
2015 Left Behind or Led Astray?: Examining the Origins of the Secret Pre-Tribulation Rapture
2017 A Shack of Lies
2022 Marvel & DC's War on God: Doctor Strange, Aleister Crowley and the Multiverse of Satanism
2022 Marvel & DC's War on God: The Antichrist Agenda
Producer:
2004 They Sold Their Souls for Rock and Roll
2005 Harry Potter: A Spirit Conspiracy?
2006 Hollywood's War on God
2008 The Kinsey Syndrome
2010 The Dark Secrets of Planned Parenthood
2011 The Kinsey Syndrome
2012 The Submerging Church
2015 Left Behind or Led Astray?: Examining the Origins of the Secret Pre-Tribulation Rapture
2017 A Shack of Lies
2022 Marvel & DC's War on God: Doctor Strange, Aleister Crowley and the Multiverse of Satanism
2022 Marvel & DC's War on God: The Antichrist Agenda
Writer:
2004 They Sold Their Souls for Rock and Roll
2005 Harry Potter: A Spirit Conspiracy?
2006 Hollywood's War on God
2008 The Kinsey Syndrome
2010 The Dark Secrets of Planned Parenthood
2011 The Kinsey Syndrome
2012 The Submerging Church
2015 Left Behind or Led Astray?: Examining the Origins of the Secret Pre-Tribulation Rapture
2017 A Shack of Lies
2022 Marvel & DC's War on God: Doctor Strange, Aleister Crowley and the Multiverse of Satanism
2022 Marvel & DC's War on God: The Antichrist Agenda
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.