A work in constant progress (and occasional regress).
Birthplace:
Esslingen am Neckar, Germany
Born:
January 29, 1961
Assistant Camera:
1989 Gefangene des Meeres
Director:
1989 Code Gorba
1989 Gefangene des Meeres
1994 Der Schatten ist lang - Jura Soyfer und seine Zeitgenossen
1996 A Tickle in the Heart
2000 El Acordeón Del Diablo
2004 Accordion Tribe: Music Travels
2007 Echoes of Home
2009 24 Hours Berlin
2012 Balkan Melody
2015 Imagine Waking Up Tomorrow and All Music Has Disappeared
Director of Photography:
1989 Code Gorba
1989 Gefangene des Meeres
1994 Der Schatten ist lang - Jura Soyfer und seine Zeitgenossen
1996 A Tickle in the Heart
2000 El Acordeón Del Diablo
2004 Accordion Tribe: Music Travels
2007 Echoes of Home
2009 24 Hours Berlin
2012 Balkan Melody
2015 Imagine Waking Up Tomorrow and All Music Has Disappeared
Editor:
1989 Code Gorba
1989 Gefangene des Meeres
1994 Der Schatten ist lang - Jura Soyfer und seine Zeitgenossen
1996 A Tickle in the Heart
2000 El Acordeón Del Diablo
2004 Accordion Tribe: Music Travels
2007 Echoes of Home
2009 24 Hours Berlin
2012 Balkan Melody
2015 Imagine Waking Up Tomorrow and All Music Has Disappeared
Writer:
1989 Code Gorba
1989 Gefangene des Meeres
1994 Der Schatten ist lang - Jura Soyfer und seine Zeitgenossen
1996 A Tickle in the Heart
2000 El Acordeón Del Diablo
2004 Accordion Tribe: Music Travels
2007 Echoes of Home
2009 24 Hours Berlin
2012 Balkan Melody
2015 Imagine Waking Up Tomorrow and All Music Has Disappeared
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.