A work in constant progress (and occasional regress).
Birthplace:
Haifa, Israel
Born:
September 9, 1964
Co-Producer:
2017 Ouroboros
Director:
1987 Aqabat Jaber: Passing Through
1991 Izkor: Slaves of Memory
1993 Itgaber, He Will Overcome
1995 Jerusalem(s), Borderline Syndrome
1999 The Specialist
2004 I Love You All
2004 Route 181: Fragments of a Journey in Palestine-Israel
2010 Jaffa: The Orange's Clockwork
2013 État commun - Conversation potentielle (1)
2017 Ouroboros
???? Dialogues of Exile
Editor:
1987 Aqabat Jaber: Passing Through
1991 Izkor: Slaves of Memory
1993 Itgaber, He Will Overcome
1995 Jerusalem(s), Borderline Syndrome
1999 The Specialist
2004 I Love You All
2004 Route 181: Fragments of a Journey in Palestine-Israel
2010 Jaffa: The Orange's Clockwork
2013 État commun - Conversation potentielle (1)
2017 Ouroboros
???? Dialogues of Exile
Producer:
1987 Aqabat Jaber: Passing Through
1991 Izkor: Slaves of Memory
1993 Itgaber, He Will Overcome
1995 Jerusalem(s), Borderline Syndrome
1999 The Specialist
2004 I Love You All
2004 Route 181: Fragments of a Journey in Palestine-Israel
2010 Jaffa: The Orange's Clockwork
2013 État commun - Conversation potentielle (1)
2017 Ouroboros
2021 Looking for Horses
???? Dialogues of Exile
Writer:
1987 Aqabat Jaber: Passing Through
1991 Izkor: Slaves of Memory
1993 Itgaber, He Will Overcome
1995 Jerusalem(s), Borderline Syndrome
1999 The Specialist
2004 I Love You All
2004 Route 181: Fragments of a Journey in Palestine-Israel
2010 Jaffa: The Orange's Clockwork
2013 État commun - Conversation potentielle (1)
2017 Ouroboros
2021 Looking for Horses
???? Dialogues of Exile
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.