A work in constant progress (and occasional regress).
Birthplace:
New York, New York
Pip Chodorov, born April 13, 1965 in New York, has been making films and composing music since 1972. He studied cognitive science at the University of Rochester, NY and film semiotics at the University of Paris, France. Work in film distribution - previously Orion Classics, NYC; UGC, Paris; Light Cone, Paris; and, currently, Re:Voir Video, Paris, which he founded in 1994 (www.re-voir.com) and The Film Gallery, the first art gallery devoted exclusively to experimental film (www.re-voir.com/gallery). He is also co-founder of L'Abominable, a cooperative do-it-yourself film lab in Paris, and the moderator of the internet-based forum on experimental film, FrameWorks.
Camera Operator:
1999 Traces fantômes, le musée d'un rêve
2002 Jonas Keeps Shooting Around
Cinematography:
1999 Traces fantômes, le musée d'un rêve
2002 Jonas Keeps Shooting Around
2011 Free Radicals: A History of Experimental Film
Director:
1989 Numéro 4
1990 The Photographer
1993 Super Caddy
1995 End Memory (Impromptu)
1996 Paris at the Turn of the 21st Century
1997 Mariage d’Armando
1997 US Rushes
1998 Charlemagne
1998 Imaginary Friend
1999 Atterrissage
1999 Traces fantômes, le musée d'un rêve
2001 Anthology Film Archives
2002 Charlemagne 2: Piltzer
2002 Jonas Keeps Shooting Around
2003 A Visit to Stan Brakhage
2003 The Spells of Kenneth Anger
2004 Portrait of Maurice Lemaître
2006 Making of Dyn Amo
2007 Wrong Moves
2008 Butterfly Experiment
2010 Charlemagne 3 : Pastrami Recordings
2011 Free Radicals: A History of Experimental Film
2017 Patrick Bokanowski - Genesis of 'Un rêve solaire'
2017 Patrick Bokanowski : visite à l'atelier
2018 Stranger
2019 Jacques Perconte - Decompositions
2022 Rooftop Flicker
Music:
1989 Numéro 4
1990 The Photographer
1993 Super Caddy
1995 End Memory (Impromptu)
1996 Paris at the Turn of the 21st Century
1997 Mariage d’Armando
1997 US Rushes
1998 Charlemagne
1998 Imaginary Friend
1999 Atterrissage
1999 Traces fantômes, le musée d'un rêve
2001 Anthology Film Archives
2002 Charlemagne 2: Piltzer
2002 Jonas Keeps Shooting Around
2003 A Visit to Stan Brakhage
2003 The Spells of Kenneth Anger
2004 Portrait of Maurice Lemaître
2006 Making of Dyn Amo
2007 Wrong Moves
2008 Butterfly Experiment
2010 Charlemagne 3 : Pastrami Recordings
2011 Free Radicals: A History of Experimental Film
2017 Patrick Bokanowski - Genesis of 'Un rêve solaire'
2017 Patrick Bokanowski : visite à l'atelier
2018 Stranger
2019 Jacques Perconte - Decompositions
2022 Rooftop Flicker
Writer:
1989 Numéro 4
1990 The Photographer
1993 Super Caddy
1995 End Memory (Impromptu)
1996 Paris at the Turn of the 21st Century
1997 Mariage d’Armando
1997 US Rushes
1998 Charlemagne
1998 Imaginary Friend
1999 Atterrissage
1999 Traces fantômes, le musée d'un rêve
2001 Anthology Film Archives
2002 Charlemagne 2: Piltzer
2002 Jonas Keeps Shooting Around
2003 A Visit to Stan Brakhage
2003 The Spells of Kenneth Anger
2004 Portrait of Maurice Lemaître
2006 Making of Dyn Amo
2007 Wrong Moves
2008 Butterfly Experiment
2010 Charlemagne 3 : Pastrami Recordings
2011 Free Radicals: A History of Experimental Film
2017 Patrick Bokanowski - Genesis of 'Un rêve solaire'
2017 Patrick Bokanowski : visite à l'atelier
2018 Stranger
2019 Jacques Perconte - Decompositions
2022 Rooftop Flicker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.