A work in constant progress (and occasional regress).
Director:
1999 Sincerely, Joe P. Bear
2000 The Vyrotonin Decision
2001 Going to the Ocean
2002 Past and Pending
2002 The Subconscious Art of Graffiti Removal
2004 American Nutria
2004 Grounded
2004 Towlines
2005 The 70s Dimension
2005 What The 70s Really Looked Like
2009 Light Tiger Eye
2010 Future So Bright
2011 Some Days Are Better Than Others
2012 The Great Northwest
2017 Buzz One Four
2020 CINEMA-19
2020 The Deepest Hole
Editor:
1999 Sincerely, Joe P. Bear
2000 The Vyrotonin Decision
2001 Going to the Ocean
2002 Past and Pending
2002 The Subconscious Art of Graffiti Removal
2004 American Nutria
2004 Grounded
2004 Towlines
2005 The 70s Dimension
2005 What The 70s Really Looked Like
2009 Light Tiger Eye
2010 Future So Bright
2011 Some Days Are Better Than Others
2012 The Great Northwest
2017 Buzz One Four
2020 CINEMA-19
2020 The Deepest Hole
Executive Producer:
1999 Sincerely, Joe P. Bear
2000 The Vyrotonin Decision
2001 Going to the Ocean
2002 Past and Pending
2002 The Subconscious Art of Graffiti Removal
2004 American Nutria
2004 Grounded
2004 Towlines
2005 The 70s Dimension
2005 What The 70s Really Looked Like
2009 Light Tiger Eye
2010 Future So Bright
2011 Some Days Are Better Than Others
2012 The Great Northwest
2017 Buzz One Four
2020 CINEMA-19
2020 The Deepest Hole
2024 Yule Be Jolly
Producer:
1999 Sincerely, Joe P. Bear
2000 The Vyrotonin Decision
2001 Going to the Ocean
2002 Past and Pending
2002 The Subconscious Art of Graffiti Removal
2004 American Nutria
2004 Grounded
2004 Towlines
2005 The 70s Dimension
2005 What The 70s Really Looked Like
2009 Light Tiger Eye
2010 Future So Bright
2011 Some Days Are Better Than Others
2012 The Great Northwest
2017 Buzz One Four
2020 CINEMA-19
2020 The Deepest Hole
2024 Yule Be Jolly
Screenplay:
1999 Sincerely, Joe P. Bear
2000 The Vyrotonin Decision
2001 Going to the Ocean
2002 Past and Pending
2002 The Subconscious Art of Graffiti Removal
2004 American Nutria
2004 Grounded
2004 Towlines
2005 The 70s Dimension
2005 What The 70s Really Looked Like
2009 Light Tiger Eye
2010 Future So Bright
2011 Some Days Are Better Than Others
2012 The Great Northwest
2017 Buzz One Four
2020 CINEMA-19
2020 The Deepest Hole
2024 Yule Be Jolly
Sound:
1999 Sincerely, Joe P. Bear
2000 The Vyrotonin Decision
2001 Going to the Ocean
2002 Past and Pending
2002 The Subconscious Art of Graffiti Removal
2004 American Nutria
2004 Grounded
2004 Towlines
2005 The 70s Dimension
2005 What The 70s Really Looked Like
2009 Light Tiger Eye
2010 Future So Bright
2011 Some Days Are Better Than Others
2012 The Great Northwest
2017 Buzz One Four
2020 CINEMA-19
2020 The Deepest Hole
2024 Yule Be Jolly
Writer:
1999 Sincerely, Joe P. Bear
2000 The Vyrotonin Decision
2001 Going to the Ocean
2002 Past and Pending
2002 The Subconscious Art of Graffiti Removal
2004 American Nutria
2004 Grounded
2004 Towlines
2005 The 70s Dimension
2005 What The 70s Really Looked Like
2009 Light Tiger Eye
2010 Future So Bright
2011 Some Days Are Better Than Others
2012 The Great Northwest
2017 Buzz One Four
2020 CINEMA-19
2020 The Deepest Hole
2024 Yule Be Jolly
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.