A work in constant progress (and occasional regress).
Alias:
Diego G. Noguera
Birthplace:
Las Condes, Santiago, Metropolitan Region, Chile
Born:
July 17, 1982
Diego Noguera is a Chilean-born, Berlin based music composer, producer and performer. Noguera has created more than 40 pieces for theater, film, and dance, becoming one of the most important names in the local experimental scene. Noguera's collaborations with Manuela Infante has premiered in Chile, Singapore, USA, and all around Europe. Together with choreographer Jose Vidal, they have premiered works at the Municipal Theater of Santiago and Kampnagel (Hamburg). Established in Germany since 2019, Noguera has played in various stages and started collaborations with Sasha Waltz and Florian Fisher, among others. Noguera's solo work consists of several singles, one EP "Soñe Que Iba a Dormir Bien" as well as a forthcoming album "I had a Name". Noguera's music explores the mix of vocals, classical instruments, and the electricity of machines becoming a telluric force, generating an arch that travels through different landscapes to a sonic catharsis.
Additional Music:
2013 The Future
Music:
2013 The Future
2024 When Clouds Hide the Shadow
Original Music Composer:
2012 El Muro
2013 The Future
2019 Medea
2024 When Clouds Hide the Shadow
Sound Designer:
2012 El Muro
2013 The Future
2019 Medea
2024 When Clouds Hide the Shadow
2025 Ancestral Visions of the Future
Thanks:
2012 El Muro
2013 The Future
2019 Medea
2024 When Clouds Hide the Shadow
2025 Ancestral Visions of the Future
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.