A work in constant progress (and occasional regress).
Birthplace:
Glendale, California
Weston Currie is an LA-born/based filmmaker whose feature film, The Perception of Moving Targets (2012), premiered at the Sundance Film Festival. In 2022, he edited the critically-acclaimed documentary Crows are White. His short films have screened at MOMA, San Francisco International Film Festival, Hammer Museum and The Louvre.
Director:
2012 The Perception of Moving Targets
2018 Strange Company
2023 Demenza
2023 Tavern
Editor:
2012 The Perception of Moving Targets
2013 Marc Maron: Thinky Pain
2014 Her: Love in the Modern Age
2014 Her: The Untitled Rick Howard Project
2015 Jen Kirkman: I'm Gonna Die Alone (And I Feel Fine)
2018 Strange Company
2022 Crows Are White
2023 Demenza
2023 Tavern
2024 Bitconned
Thanks:
2012 The Perception of Moving Targets
2013 Marc Maron: Thinky Pain
2014 Her: Love in the Modern Age
2014 Her: The Untitled Rick Howard Project
2015 Jen Kirkman: I'm Gonna Die Alone (And I Feel Fine)
2017 Super Dark Times
2018 Strange Company
2019 Clementine
2022 Crows Are White
2023 Demenza
2023 Tavern
2024 Bitconned
Writer:
2012 The Perception of Moving Targets
2013 Marc Maron: Thinky Pain
2014 Her: Love in the Modern Age
2014 Her: The Untitled Rick Howard Project
2015 Jen Kirkman: I'm Gonna Die Alone (And I Feel Fine)
2017 Super Dark Times
2018 Strange Company
2019 Clementine
2022 Crows Are White
2023 Demenza
2023 Tavern
2024 Bitconned
Editor:
2023 The Hunt for Veerappan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.