A work in constant progress (and occasional regress).
Birthplace:
Belleville, Ontario, Canada
Daniel Cockburn is a Canadian moving-image artist based in Glasgow. His work deals with rhythm, language, and thought experiments, drawing on sources spanning video games, literature, power ballads, and sci-fi/fantasy/horror. His 2010 feature film You Are Here has been described as “a new kind of narrative for a new technological era” (Mark Peranson, Cinema Scope), “a major discovery” (Olivier Père, Locarno Film Festival), and “a whatsit” (Gavin Smith, Film Comment). He’s currently working on a live performance about medieval music and a movie adaptation of Mark Vonnegut’s memoir The Eden Express.
Additional Camera:
2002 Metronome
Director:
1999 Doctor Virtuous
2000 Rocket Man
2002 Metronome
2003 The Impostor (hello goodbye)
2003 WEAKEND
2004 Figure vs. Ground
2011 The National Parks Project
2011 You Are Here
2015 All the Mistakes I've Made, Part 2 (or: How Not To Watch A Movie)
2015 Sculpting Memory
2017 Pattern Recognition
2017 Repeat Viewing (After Hours)
2017 The Argument (with annotations)
2019 Correspondence 1989-1999
2019 God's Nightmares
2023 It Was So Beautiful
2024 Ahead of the Curve
2024 The Abjuration
2024 The Invocation
???? The Eden Express
Editor:
1999 Doctor Virtuous
2000 Rocket Man
2002 Metronome
2003 The Impostor (hello goodbye)
2003 WEAKEND
2004 Figure vs. Ground
2011 The National Parks Project
2011 You Are Here
2015 All the Mistakes I've Made, Part 2 (or: How Not To Watch A Movie)
2015 Sculpting Memory
2017 Pattern Recognition
2017 Repeat Viewing (After Hours)
2017 The Argument (with annotations)
2019 Correspondence 1989-1999
2019 God's Nightmares
2023 It Was So Beautiful
2024 Ahead of the Curve
2024 The Abjuration
2024 The Invocation
???? The Eden Express
Music:
1999 Doctor Virtuous
2000 Rocket Man
2002 Metronome
2003 The Impostor (hello goodbye)
2003 WEAKEND
2004 Figure vs. Ground
2011 The National Parks Project
2011 You Are Here
2015 All the Mistakes I've Made, Part 2 (or: How Not To Watch A Movie)
2015 Sculpting Memory
2017 Pattern Recognition
2017 Repeat Viewing (After Hours)
2017 The Argument (with annotations)
2019 Correspondence 1989-1999
2019 God's Nightmares
2023 It Was So Beautiful
2024 Ahead of the Curve
2024 The Abjuration
2024 The Invocation
???? The Eden Express
Producer:
1999 Doctor Virtuous
2000 Rocket Man
2002 Metronome
2003 The Impostor (hello goodbye)
2003 WEAKEND
2004 Figure vs. Ground
2011 The National Parks Project
2011 You Are Here
2015 All the Mistakes I've Made, Part 2 (or: How Not To Watch A Movie)
2015 Sculpting Memory
2017 Pattern Recognition
2017 Repeat Viewing (After Hours)
2017 The Argument (with annotations)
2019 Correspondence 1989-1999
2019 God's Nightmares
2023 It Was So Beautiful
2024 Ahead of the Curve
2024 The Abjuration
2024 The Invocation
???? The Eden Express
Writer:
1999 Doctor Virtuous
2000 Rocket Man
2002 Metronome
2003 The Impostor (hello goodbye)
2003 WEAKEND
2004 Figure vs. Ground
2011 The National Parks Project
2011 You Are Here
2015 All the Mistakes I've Made, Part 2 (or: How Not To Watch A Movie)
2015 Sculpting Memory
2017 Pattern Recognition
2017 Repeat Viewing (After Hours)
2017 The Argument (with annotations)
2019 Correspondence 1989-1999
2019 God's Nightmares
2023 It Was So Beautiful
2024 Ahead of the Curve
2024 The Abjuration
2024 The Invocation
???? The Eden Express
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.