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Deborah Chow (b. 1971)

Birthplace:
Toronto, Ontario, Canada

Born:
January 1, 1971

Biography from TheMovieDB

Deborah Chow is a Canadian filmmaker, television director and screenwriter known for her independent films and her work on Star Wars television. Two of her first short films, Daypass (2002) and The Hill (2004) have both won awards at various international film festivals. Her first feature film was The High Cost of Living (2010), which she both wrote and directed.  Chow has directed various projects for television, including the 2014 TV movie adaption of V. C. Andrews' Gothic novel Flowers in the Attic and episodes of the series Copper, Murdoch Mysteries, Reign, Beauty and the Beast, and Mr. Robot. Chow is also a director on the first season of the Star Wars series The Mandalorian (2019) and directed all six episodes of Obi-Wan Kenobi (2022) for Disney+.  From Wikipedia, the free encyclopedia

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Additional information:

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Film Performances

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Film Production

Costume Design:
2002  Daypass
2004  The Hill

Director:
2002  Daypass
2004  The Hill
2011  The High Cost of Living
2014  Flowers in the Attic

Editor:
2002  Daypass
2004  The Hill
2011  The High Cost of Living
2014  Flowers in the Attic

Executive Producer:
2002  Daypass
2004  The Hill
2011  The High Cost of Living
2014  Flowers in the Attic
2022  Obi-Wan Kenobi: A Jedi's Return

Writer:
2002  Daypass
2004  The Hill
2011  The High Cost of Living
2014  Flowers in the Attic
2022  Obi-Wan Kenobi: A Jedi's Return

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TV Performances

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TV Production

Director:
2008  Murdoch Mysteries
2009  The Vampire Diaries
2012  Beauty and the Beast
2012  Copper
2013  Reign
2014  TURN: Washington's Spies
2014  Tyrant
2015  Better Call Saul
2015  Fear the Walking Dead
2015  Marvel's Jessica Jones
2015  Mr. Robot
2015  The Man in the High Castle
2016  Shut Eye
2017  American Gods
2017  Marvel's Iron Fist
2017  Snowfall
2018  Lost in Space
2019  The Mandalorian
2022  Obi-Wan Kenobi

Executive Producer:
2008  Murdoch Mysteries
2009  The Vampire Diaries
2012  Beauty and the Beast
2012  Copper
2013  Reign
2014  TURN: Washington's Spies
2014  Tyrant
2015  Better Call Saul
2015  Fear the Walking Dead
2015  Marvel's Jessica Jones
2015  Mr. Robot
2015  The Man in the High Castle
2016  Shut Eye
2017  American Gods
2017  Marvel's Iron Fist
2017  Snowfall
2018  Lost in Space
2019  The Mandalorian
2022  Obi-Wan Kenobi

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.