A work in constant progress (and occasional regress).
Alias:
Antônio Venturi Neto
Birthplace:
São Paulo, São Paulo, Brazil
Born:
November 21, 1955
Died:
May 18, 2024
Antônio Venturi Neto, better known as Toni Venturi, was a Brazilian film director. Graduated in photographic arts from the University of Ryerson, in Canada, and in cinema from the University of São Paulo (USP), Toni Venturi was president of the São Paulo Filmmakers Association (Apaci) in 2001. He directed the fiction features "Latitude Zero", by 2002, "Cabra-Cega", 2005, "Estamos Juntos", 2011, and "A Comédia Divina", 2017. He also directed the documentaries "O Velho – A História de Luiz Carlos Prestes" and "Rita Cadillac – A Lady do Povo”. He died in 2024, aged 68.
Director:
1997 O Velho - A História de Luiz Carlos Prestes
2001 Latitude Zero
2003 No Olho do Furacão
2004 Playing in the Dark
2006 Dia de Festa
2007 Paulo Freire Contemporâneo
2010 Rita Cadillac: The Lady of the People
2011 Vocacional: Uma Aventura Humana
2011 We're Together
2016 João Gonçalves - Forte e Poderoso
2017 A Comédia Divina
2020 In My Skin
Producer:
1997 O Velho - A História de Luiz Carlos Prestes
2001 Latitude Zero
2003 No Olho do Furacão
2004 Playing in the Dark
2006 Dia de Festa
2007 Paulo Freire Contemporâneo
2010 Rita Cadillac: The Lady of the People
2011 Vocacional: Uma Aventura Humana
2011 We're Together
2016 João Gonçalves - Forte e Poderoso
2017 A Comédia Divina
2020 In My Skin
Writer:
1997 O Velho - A História de Luiz Carlos Prestes
2001 Latitude Zero
2003 No Olho do Furacão
2004 Playing in the Dark
2006 Dia de Festa
2007 Paulo Freire Contemporâneo
2010 Rita Cadillac: The Lady of the People
2011 Vocacional: Uma Aventura Humana
2011 We're Together
2016 João Gonçalves - Forte e Poderoso
2017 A Comédia Divina
2020 In My Skin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.