A work in constant progress (and occasional regress).
Alias:
아담 엘리어트
아담 엘리엇
애덤 엘리어트
애덤 엘리엇
Birthplace:
Berwick, Victoria, Australia
Born:
January 2, 1972
From Wikipedia, the free encyclopedia Adam Elliot (born 2 January 1972 in Berwick, Victoria, Australia) is an independent stop-motion animation writer and director based in Melbourne, Australia. His five films have collectively participated in over six-hundred film festivals and have received over one hundred awards, including an Oscar for Harvie Krumpet[2] and the Annecy Cristal for Mary and Max. Elliot calls himself an auteur filmmaker and each of his films have a bittersweet nature to them. Based loosely on his family and friends, Elliot calls each of his works a Clayography - clay animated biographies - a portmanteau term of the words clay and biography. Utilising a large team of animators and modelmakers each film takes several years to complete. He is noted for his use of traditional 'in-camera' techniques, which means every prop set and character is a 'real' miniature handcrafted object. Elliot does not use digital additions or computer generated imagery to enhance his visual aesthetic. His company, Adam Elliot Pictures, produce the films and Elliot’s work practices adhere to the French auteur methodology. Each film has been voiced by notable actors including, Philip Seymour Hoffman, Toni Collette, Geoffrey Rush, Eric Bana, William McInnes and Barry Humphries. Elliot is also a voting member of the Academy of Motion Picture Arts and Sciences and in 1999 was awarded The Young Achiever of the Year for Victoria. Description above from the Wikipedia article Adam Elliot, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Animation:
1996 Human Behavioural Case Studies. Series One.
2005 Pictoplasma: Characters in Motion, Vol. 1
Animation Director:
1996 Human Behavioural Case Studies. Series One.
1996 Uncle
2005 Pictoplasma: Characters in Motion, Vol. 1
Cinematography:
1996 Human Behavioural Case Studies. Series One.
1996 Uncle
2005 Pictoplasma: Characters in Motion, Vol. 1
2015 Ernie Biscuit
Director:
1996 Human Behavioural Case Studies. Series One.
1996 Uncle
1999 Cousin
2000 Brother
2003 Harvie Krumpet
2005 Pictoplasma: Characters in Motion, Vol. 1
2009 Mary and Max
2015 Ernie Biscuit
2024 Memoir of a Snail
Editor:
1996 Human Behavioural Case Studies. Series One.
1996 Uncle
1999 Cousin
2000 Brother
2003 Harvie Krumpet
2005 Pictoplasma: Characters in Motion, Vol. 1
2009 Mary and Max
2015 Ernie Biscuit
2024 Memoir of a Snail
Producer:
1996 Human Behavioural Case Studies. Series One.
1996 Uncle
1999 Cousin
2000 Brother
2003 Harvie Krumpet
2005 Pictoplasma: Characters in Motion, Vol. 1
2009 Mary and Max
2015 Ernie Biscuit
2024 Memoir of a Snail
Production Design:
1996 Human Behavioural Case Studies. Series One.
1996 Uncle
1999 Cousin
2000 Brother
2003 Harvie Krumpet
2005 Pictoplasma: Characters in Motion, Vol. 1
2009 Mary and Max
2015 Ernie Biscuit
2024 Memoir of a Snail
Screenplay:
1996 Human Behavioural Case Studies. Series One.
1996 Uncle
1999 Cousin
2000 Brother
2003 Harvie Krumpet
2005 Pictoplasma: Characters in Motion, Vol. 1
2009 Mary and Max
2015 Ernie Biscuit
2024 Memoir of a Snail
Writer:
1996 Human Behavioural Case Studies. Series One.
1996 Uncle
1999 Cousin
2000 Brother
2003 Harvie Krumpet
2005 Pictoplasma: Characters in Motion, Vol. 1
2009 Mary and Max
2015 Ernie Biscuit
2024 Memoir of a Snail
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.