A work in constant progress (and occasional regress).
Birthplace:
Pendleton, Oregon, USA
Born:
July 15, 1970
William Joseph Elk III is a member of the Confederated Tribes of the Umatilla, Cayuse and Walla Walla Tribes and is a graduate of the Schools of Business Administration and Theatre Arts at Portland State University. He delayed his business coursework to practice the art of acting and playwriting for two years, where he gained valuable stage experience paying dues which landed his part in Sherman Alexie's "The Business of Fancy Dancing". Living in Portland and attending PSU gave William the opportunity to be a part of such film productions as "Ricochet River", "The Northwest Passage" project, "The Hunted", "What the Bleep Do We Know", "Littlefoot" and the TNT/Dreamworks series "Into the West". His television projects include "State Police", the BBC's Extinct series "The Wolly Mamoth"and "Final Justice" as well as appearances on "Highway Patrol". His most recent works include his role in the Hallmark movie "Valley of Light" and the horror movie "Last Stand". William was discovered while traditional Round Bustle dancing at the Pi-Umpsha Pow Wow in Warm Springs, Oregon. He worked with Kate Hudson on her first feature film project, Ricochet River, as a body double for Doug Spain shortly after and began working to achieve a chareer in the Film Industry. William now lives in Los Angeles and pursues his career in the arts.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.