A work in constant progress (and occasional regress).
Birthplace:
Montreal, Quebec, Canada
Born:
January 1, 1965
Jennifer Baichwal, director and producer, was born in Montréal and came to documentary filmmaking through studies in philosophy and theology at her hometown’s McGill University. She debuted 15 years ago with Looking You in the Back of the Head. Her first feature-length film, Let It Come Down: The Life of Paul Bowles (1998), was screened at a number of festivals and took Best Biography at the 1999 Hot Docs festival. In 1998 she and partner Nick de Pencier founded Mercury Films, and there she has produced, among other films, her own works The Holier It Gets and The True Meaning of Pictures, as well as the multiply-awarded festival favorite Manufactured Landscapes (about the work of artist Edward Burtynsky), one of the most noteworthy Canadian documentaries of the decade.
Director:
1999 Let It Come Down: The Life of Paul Bowles
2002 The True Meaning of Pictures: Shelby Lee Adams' Appalachia
2006 Manufactured Landscapes
2009 Act of God
2012 Payback
2013 Watermark
2017 The Tragically Hip - Long Time Running
2018 Anthropocene: The Human Epoch
2018 Gotthard Base Tunnel, Gotthard, Switzerland
2022 Into the Weeds
Executive Producer:
1999 Let It Come Down: The Life of Paul Bowles
2002 The True Meaning of Pictures: Shelby Lee Adams' Appalachia
2006 Manufactured Landscapes
2009 Act of God
2012 Payback
2013 Watermark
2017 The Tragically Hip - Long Time Running
2018 Anthropocene: The Human Epoch
2018 Gotthard Base Tunnel, Gotthard, Switzerland
2022 Into the Weeds
2023 Swan Song
2024 Wilfred Buck
Producer:
1999 Let It Come Down: The Life of Paul Bowles
2002 The True Meaning of Pictures: Shelby Lee Adams' Appalachia
2006 Manufactured Landscapes
2009 Act of God
2012 Payback
2013 Watermark
2017 The Tragically Hip - Long Time Running
2018 Anthropocene: The Human Epoch
2018 Gotthard Base Tunnel, Gotthard, Switzerland
2022 Into the Weeds
2023 Swan Song
2024 Wilfred Buck
Screenplay:
1999 Let It Come Down: The Life of Paul Bowles
2002 The True Meaning of Pictures: Shelby Lee Adams' Appalachia
2006 Manufactured Landscapes
2009 Act of God
2012 Payback
2013 Watermark
2017 The Tragically Hip - Long Time Running
2018 Anthropocene: The Human Epoch
2018 Gotthard Base Tunnel, Gotthard, Switzerland
2022 Into the Weeds
2023 Swan Song
2024 Wilfred Buck
Technical Advisor:
1999 Let It Come Down: The Life of Paul Bowles
2002 The True Meaning of Pictures: Shelby Lee Adams' Appalachia
2006 Manufactured Landscapes
2009 Act of God
2012 Payback
2013 Watermark
2015 Kandahar Journals
2017 The Tragically Hip - Long Time Running
2018 Anthropocene: The Human Epoch
2018 Gotthard Base Tunnel, Gotthard, Switzerland
2022 Into the Weeds
2023 Swan Song
2024 Wilfred Buck
Writer:
1999 Let It Come Down: The Life of Paul Bowles
2002 The True Meaning of Pictures: Shelby Lee Adams' Appalachia
2006 Manufactured Landscapes
2009 Act of God
2012 Payback
2013 Watermark
2015 Kandahar Journals
2017 The Tragically Hip - Long Time Running
2018 Anthropocene: The Human Epoch
2018 Gotthard Base Tunnel, Gotthard, Switzerland
2022 Into the Weeds
2023 Swan Song
2024 Wilfred Buck
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.