A work in constant progress (and occasional regress).
Birthplace:
Berkeley, California
From Wikipedia, the free encyclopedia. Amir Bar-Lev (born in 1972) is an American film director, producer and writer from Berkeley, California. Bar-Lev is noted for his work in directing documentary films. He has directed such films as Fighter, a documentary film released August 24, 2001. The film received a Special Jury Citation in the 2000 Karlovy Vary International Film Festival. The 2007 documentary film My Kid Could Paint That was directed by Bar-Lev, and premiered at the Sundance Film Festival. The film was bought by Sony Pictures Classics in 2007. He also served as co-producer of the 2009 Oscar nominated documentary Trouble the Water. Bar-Lev also directed The Tillman Story, which premiered as a Domestic Documentary Finalist at the 2010 Sundance Film Festival. Description above from the Wikipedia article Amir Bar-Lev, licensed under CC-BY-SA, full list of contributors on Wikipedia
Director:
2000 Fighter
2002 Kid Protocol
2007 My Kid Could Paint That
2010 The Tillman Story
2012 Re:Generation Music Project
2013 12-12-12
2014 Happy Valley
2017 Long Strange Trip
Editor:
2000 Fighter
2002 Kid Protocol
2007 My Kid Could Paint That
2010 The Tillman Story
2012 Re:Generation Music Project
2013 12-12-12
2014 Happy Valley
2017 Long Strange Trip
Producer:
2000 Fighter
2002 Kid Protocol
2007 My Kid Could Paint That
2010 The Tillman Story
2012 Re:Generation Music Project
2013 12-12-12
2014 Happy Valley
2017 Long Strange Trip
Writer:
2000 Fighter
2002 Kid Protocol
2007 My Kid Could Paint That
2010 The Tillman Story
2012 Re:Generation Music Project
2013 12-12-12
2014 Happy Valley
2017 Long Strange Trip
Director:
2017 Long Strange Trip
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.