A work in constant progress (and occasional regress).
Alias:
Ghila Golan
Birthplace:
Kraków, Malopolskie, Poland
Born:
December 30, 1940
Gila Golan (born 1940) is an Israeli former fashion model and actress. Born in Krakow, Poland, in 1940, she was adopted by a Roman Catholic family that found her left in a bundle at a train station during the Holocaust. Her adopted family sent her to be educated in a monastery. Arriving in Israel after World War II with the name Zusia Sobetzcki, she became Miriam Goldberg and continued her schooling in an Orthodox girls' boarding school. After becoming enamoured with fashion and undergoing plastic surgery, she was spotted by an American photographer, and ultimately ended up in the Israeli women's magazine LaIsha. Her new fame launched her to the 1960 national fashion competition, where she won first place and was crowned Miss Israel, though she changed her name to Gila Golan to prevent word getting back to her religiously conservative benefactors. After receiving second place in that year's Miss World competition as Israel's representative, she was sent to the United States to raise funds, and she ended up staying there. Director Stanley Kramer started her film career with the role of Elsa Lutz in his film Ship of Fools, whence she continued to establish herself in Our Man Flint, Three on a Couch, and The Valley of Gwangi. Golan was married and divorced, remarried and widowed, and finally married a third time, and has several children from her three marriages. In recent years she has returned to religion and now runs an investment business. Description above from the Wikipedia article Gila Golan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.