Gene Garvin

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Sound:
1941  Among the Living
1948  Isn't It Romantic?
1949  Alias Nick Beal
1949  Top o' the Morning
1953  Cease Fire!

Sound Mixer:
1941  Among the Living
1948  Isn't It Romantic?
1949  Alias Nick Beal
1949  Top o' the Morning
1953  Cease Fire!
1972  She Waits

Sound Re-Recording Mixer:
1941  Among the Living
1948  Isn't It Romantic?
1949  Alias Nick Beal
1949  Top o' the Morning
1953  Cease Fire!
1972  She Waits
1981  Terror Among Us

Sound Recordist:
1940  Golden Gloves
1941  Among the Living
1942  Dr. Broadway
1942  My Favorite Blonde
1942  Night in New Orleans
1947  My Favorite Brunette
1947  Saigon
1948  Isn't It Romantic?
1948  Joan of Arc
1948  Night Has a Thousand Eyes
1948  The Big Clock
1948  The Sainted Sisters
1949  Alias Nick Beal
1949  Chicago Deadline
1949  Red, Hot and Blue
1949  Top o' the Morning
1950  Appointment with Danger
1950  Copper Canyon
1950  No Man of Her Own
1950  The Goldbergs
1950  The Sundowners
1950  Union Station
1951  A Place in the Sun
1951  Ace in the Hole
1951  My Favorite Spy
1951  Quebec
1952  Jumping Jacks
1952  My Son John
1952  Something to Live For
1953  Cease Fire!
1953  Little Boy Lost
1953  Money from Home
1953  Shane
1953  Stalag 17
1953  The Caddy
1953  The War of the Worlds
1954  Casanova's Big Night
1954  Jivaro
1954  Living It Up
1954  The Naked Jungle
1955  Artists and Models
1955  The Far Horizons
1955  The Rose Tattoo
1955  You're Never Too Young
1956  Hollywood or Bust
1956  Pardners
1956  The Man Who Knew Too Much
1956  The Ten Commandments
1972  She Waits
1981  Terror Among Us

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.