A work in constant progress (and occasional regress).
Born:
November 7, 1909
Died:
September 17, 1938
Sadao Yamanaka (山中 貞雄, Yamanaka Sadao, November 7, 1909 – September 17, 1938) was a Japanese film director and screenwriter who directed 26 films between 1932 and 1938. He was a contemporary of Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi and one of the primary figures in the development of the jidaigeki, or historical film. Yamanaka began his career in the Japanese film industry at the age of 20 as a writer and assistant director for the Makino company. In 1932, he began working for Kanjuro Productions, a small, independent film company similar to many others founded during the same period as it was centered around a popular jidaigeki film star, this time Kanjuro Arashi. Here, he began directing his first films, all of which were jidaigeki. During his first year at Kanjuro, he made six films. He was "discovered" by the critic Matsuo Kishi and gained a reputation for creating films that escaped clichés and focused on social injustices. Early on, he had stated an interest in blurring the lines between several genres: comedy, historical epics, and comedy-dramas focusing on average people. Viewers and critics note in his surviving films the genesis of ideas later explored by the internationally successful Akira Kurosawa, Kenji Mizoguchi, Yasujirō Ozu and Seijun Suzuki. He formed the Narutaki-gumi with his friends, and they wrote under the pseudonym Kimpachi Kajiwara. Yamanaka has been characterized as a minimalist, one whose style favoured elegance and rhythm. During the 1930s he moved between several film companies, eventually settling in Kyoto and working for the Nikkatsu Company. Most of his films were silent films as sound did not gain a prominence in Japan until 1935-36. He worked twice with the Japanese theatre troupe Zenshin-za: first on The Village Tattooed Man (Machi no Irezumi-mono, 1935) and on his final film, Humanity and Paper Balloons. Yamanaka died of dysentery in Manchuria after being drafted into the Imperial Japanese Army. He is the uncle of the Japanese film director Tai Kato, who wrote a book about Yamanaka, Eiga kantoku Yamanaka Sadao. Only three of his films survive in nearly complete form. Description from the Wikipedia article Sadao Yamanaka, licensed under CC-BY-SA.
Director:
1932 Iso-no-genta's Sword
1932 Ogasawara Ikinokami
1933 Bangaku no issho
1933 Jirokichi the Rat-Kid: Edo Reel
1933 Jirokichi the Rat-Kid: Edo Reel Part 2
1933 Jirokichi the Rat-Kid: The Journey
1933 Satsuma Courier Part 2: The Passionate Sword
1934 Gantaro Path
1934 The Elegant Swordsman
1935 Kunisada Chūji
1935 Tange Sazen and the Pot Worth a Million Ryo
1935 The Village Tattooed Man
1936 Priest of Darkness
1937 Humanity and Paper Balloons
1937 Ishimatsu from the Forest
Original Story:
1932 Iso-no-genta's Sword
1932 Ogasawara Ikinokami
1933 Bangaku no issho
1933 Jirokichi the Rat-Kid: Edo Reel
1933 Jirokichi the Rat-Kid: Edo Reel Part 2
1933 Jirokichi the Rat-Kid: The Journey
1933 Satsuma Courier Part 2: The Passionate Sword
1934 Gantaro Path
1934 The Elegant Swordsman
1935 Kunisada Chūji
1935 Tange Sazen and the Pot Worth a Million Ryo
1935 The Village Tattooed Man
1936 Priest of Darkness
1937 Humanity and Paper Balloons
1937 Ishimatsu from the Forest
1956 朱鞘罷り通る
1963 Love And Order
Screenplay:
1929 Umon's First Exploit
1932 Iso-no-genta's Sword
1932 Ogasawara Ikinokami
1933 Bangaku no issho
1933 Jirokichi the Rat-Kid: Edo Reel
1933 Jirokichi the Rat-Kid: Edo Reel Part 2
1933 Jirokichi the Rat-Kid: The Journey
1933 Satsuma Courier Part 2: The Passionate Sword
1934 Gantaro Path
1934 Mito Kômon: Rai Kunitsugu no maki
1934 The Elegant Swordsman
1935 Kunisada Chūji
1935 Tange Sazen and the Pot Worth a Million Ryo
1935 The Village Tattooed Man
1936 Priest of Darkness
1937 Humanity and Paper Balloons
1937 Ishimatsu from the Forest
1956 朱鞘罷り通る
1959 Saga of the Vagabonds
1963 Love And Order
Story:
1929 Umon's First Exploit
1932 Iso-no-genta's Sword
1932 Ogasawara Ikinokami
1933 Bangaku no issho
1933 Jirokichi the Rat-Kid: Edo Reel
1933 Jirokichi the Rat-Kid: Edo Reel Part 2
1933 Jirokichi the Rat-Kid: The Journey
1933 Satsuma Courier Part 2: The Passionate Sword
1934 Gantaro Path
1934 Mito Kômon: Rai Kunitsugu no maki
1934 The Elegant Swordsman
1935 Kunisada Chūji
1935 Tange Sazen and the Pot Worth a Million Ryo
1935 The Village Tattooed Man
1936 Priest of Darkness
1937 Humanity and Paper Balloons
1937 Ishimatsu from the Forest
1939 The Day Before
1956 朱鞘罷り通る
1959 Saga of the Vagabonds
1963 Love And Order
Writer:
1929 Umon's First Exploit
1930 Detective Umon's Diary, Story No. 6
1932 Iso-no-genta's Sword
1932 Ogasawara Ikinokami
1933 Bangaku no issho
1933 Jirokichi the Rat-Kid: Edo Reel
1933 Jirokichi the Rat-Kid: Edo Reel Part 2
1933 Jirokichi the Rat-Kid: The Journey
1933 Satsuma Courier Part 2: The Passionate Sword
1934 Gantaro Path
1934 Mito Kômon: Rai Kunitsugu no maki
1934 The Elegant Swordsman
1935 Kunisada Chūji
1935 Mito Komon - The Bloody Swords
1935 Mito Komon - The Secret Letter
1935 Tange Sazen and the Pot Worth a Million Ryo
1935 The Village Tattooed Man
1936 Priest of Darkness
1937 Humanity and Paper Balloons
1937 Ishimatsu from the Forest
1939 The Day Before
1956 朱鞘罷り通る
1959 Saga of the Vagabonds
1963 Love And Order
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.