A work in constant progress (and occasional regress).
Born:
September 14, 1972
Don Argott (born September 14, 1972) is an American documentary filmmaker and musician originally from Pequannock, New Jersey, and currently residing in Philadelphia, Pennsylvania. Argott has directed the documentary films Rock School (2005), Two Days in April (2007), and The Art of the Steal (2009), and has also worked as a producer and cinematographer. He co-owns the production company 9.14 Pictures with producer Sheena M. Joyce. Argott has worked with film score in a rock band format, releasing original music under the name Pornosonic. Pornosonic's work has been featured in numerous films, including Old School. Argott currently plays guitar in the proto-metal band Serpent Throne along with 9.14 Pictures editor Demian Fenton. Description above from the Wikipedia article Don Argott, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Director:
2005 Rock School
2007 Two Days In April
2010 The Art of the Steal
2011 Last Days Here
2012 The Atomic States of America
2014 As the Palaces Burn
2015 Slow Learners
2017 11/8/16
2017 Batman & Bill
2017 Believer
2017 November 8th
2019 Framing John DeLorean
2021 Bill Mauldin: If It's Big, Hit It
2021 Keep Sweet
2021 Kurt Vonnegut: Unstuck in Time
2022 Dio: Dreamers Never Die
2023 Kelce
Director of Photography:
2005 Rock School
2007 Two Days In April
2010 The Art of the Steal
2011 Last Days Here
2012 The Atomic States of America
2014 As the Palaces Burn
2015 Slow Learners
2017 11/8/16
2017 Batman & Bill
2017 Believer
2017 November 8th
2019 Framing John DeLorean
2021 Bill Mauldin: If It's Big, Hit It
2021 Keep Sweet
2021 Kurt Vonnegut: Unstuck in Time
2022 Dio: Dreamers Never Die
2023 Kelce
Executive Producer:
2005 Rock School
2007 Two Days In April
2010 The Art of the Steal
2011 Last Days Here
2012 The Atomic States of America
2014 As the Palaces Burn
2015 Slow Learners
2017 11/8/16
2017 Batman & Bill
2017 Believer
2017 November 8th
2019 Framing John DeLorean
2021 Bill Mauldin: If It's Big, Hit It
2021 Keep Sweet
2021 Kurt Vonnegut: Unstuck in Time
2022 Dio: Dreamers Never Die
2023 Kelce
Graphic Designer:
2005 Rock School
2007 Two Days In April
2010 The Art of the Steal
2011 Last Days Here
2012 The Atomic States of America
2014 As the Palaces Burn
2015 Slow Learners
2017 11/8/16
2017 Batman & Bill
2017 Believer
2017 November 8th
2019 Framing John DeLorean
2021 Bill Mauldin: If It's Big, Hit It
2021 Keep Sweet
2021 Kurt Vonnegut: Unstuck in Time
2022 Dio: Dreamers Never Die
2023 Kelce
Producer:
2005 Rock School
2007 Two Days In April
2010 The Art of the Steal
2011 Last Days Here
2012 The Atomic States of America
2014 As the Palaces Burn
2015 Slow Learners
2017 11/8/16
2017 Batman & Bill
2017 Believer
2017 November 8th
2019 Framing John DeLorean
2021 Bill Mauldin: If It's Big, Hit It
2021 Keep Sweet
2021 Kurt Vonnegut: Unstuck in Time
2022 Dio: Dreamers Never Die
2023 Kelce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.