A work in constant progress (and occasional regress).
Birthplace:
Oneonta, New York, USA
Born:
November 1, 1983
From Wikipedia, the free encyclopedia. Dylan Avery is the writer, director, and editor of the Loose Change films. He is from Oneonta, New York, and currently lives in San Diego, California. After being denied admission twice by Purchase College's film school, Avery planned to make a fictional thriller about a group of friends who discover the September 11, 2001 attacks were an "inside job". Along the way Avery himself stated that he had become convinced of this theory. His latest film, Loose Change 9/11: An American Coup, became available on September 22, 2009. It is narrated by Daniel Sunjata and produced by Matthew Brown of Fort Worth, Texas and Korey Rowe of Oneonta, New York. Avery appeared on BBC's 9/11 Conspiracy Files in February 2007 and on CNN in March 2008. He also appeared on the History and National Geographic channels in September 2009. Avery is currently working with Wes Davis, a teacher, musician and self-proclaimed coffee addict, on a film about a 21 day project to stop drinking coffee and caffeine products. Description above from the Wikipedia article Dylan Avery, licensed under CC-BY-SA, full list of contributors on Wikipedia.
"B" Camera Operator:
2023 Ouija Witch
Assistant Camera:
2022 Gloss
2023 Ouija Witch
Casting:
2022 Gloss
2023 Ouija Witch
Cinematography:
2010 Buzzkill: Is There Life After Coffee?
2022 Gloss
2023 Ouija Witch
Director:
2005 Loose Change
2005 Loose Change
2007 Loose Change: Final Cut
2009 Loose Change 9/11: An American Coup
2010 Buzzkill: Is There Life After Coffee?
2017 Black and Blue
2020 SEVEN
2021 Asteroid
2021 The Unspeakable
2022 Gloss
2023 Ouija Witch
???? Magic Molecule
Editor:
2005 Loose Change
2005 Loose Change
2007 Loose Change: Final Cut
2009 Loose Change 9/11: An American Coup
2010 Buzzkill: Is There Life After Coffee?
2017 Black and Blue
2020 SEVEN
2021 Asteroid
2021 The Unspeakable
2022 Gloss
2023 Ouija Witch
???? Magic Molecule
Executive Producer:
2005 Loose Change
2005 Loose Change
2007 Loose Change: Final Cut
2009 Loose Change 9/11: An American Coup
2010 Buzzkill: Is There Life After Coffee?
2017 Black and Blue
2020 SEVEN
2021 Asteroid
2021 The Unspeakable
2022 Gloss
2023 Ouija Witch
???? Magic Molecule
Producer:
2005 Loose Change
2005 Loose Change
2007 Loose Change: Final Cut
2009 Loose Change 9/11: An American Coup
2010 Buzzkill: Is There Life After Coffee?
2017 Black and Blue
2020 SEVEN
2021 Asteroid
2021 The Unspeakable
2022 Gloss
2023 Ouija Witch
???? Magic Molecule
Visual Effects:
2005 Loose Change
2005 Loose Change
2007 Loose Change: Final Cut
2009 Loose Change 9/11: An American Coup
2010 Buzzkill: Is There Life After Coffee?
2017 Black and Blue
2020 SEVEN
2021 Asteroid
2021 The Unspeakable
2022 Gloss
2023 Ouija Witch
???? Magic Molecule
Writer:
2005 Loose Change
2005 Loose Change
2007 Loose Change: Final Cut
2009 Loose Change 9/11: An American Coup
2010 Buzzkill: Is There Life After Coffee?
2017 Black and Blue
2020 SEVEN
2021 Asteroid
2021 The Unspeakable
2022 Gloss
2023 Ouija Witch
???? Magic Molecule
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.