A work in constant progress (and occasional regress).
Birthplace:
Olney - Illinois - USA
Born:
April 2, 1913
Died:
September 6, 1998
From Wikipedia, the free encyclopedia Elaine Elizabeth Shepard (April 2, 1913 – September 6, 1998) was a Broadway and film actress in the 1930s and 1940s. She was also the author of The Doom Pussy, a semi-fictional account of aviation in the Vietnam War. Shepard's first film appearance was in the 1936 Republic serial Darkest Africa, in which she played Valerie Tremaine, the heroine of the film. This was followed with a series of leading roles in other minor films, such as You Can't Fool Your Wife, a 1940 comedy starring Lucille Ball. She then had several minor roles in major films, including playing a secretary in Topper and uncredited roles in Thirty Seconds Over Tokyo and the 1946 Ziegfeld Follies. A more prominent role came in Seven Days Ashore, a musical in which she plays the principal love interest for the band of sailors on shore leave. Shepard also had some minor appearances on Broadway, including a part in the 1940 Cole Porter musical Panama Hattie. Shepard abandoned acting and turned to freelance journalism. She is best known in this role for her Vietnam War coverage, which became the basis for her 1967 book The Doom Pussy, recounting her experiences with aviators in the early part of the war. This book includes an early use of the phrase "the whole nine yards".
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.