A work in constant progress (and occasional regress).
Alias:
Mabel Ethelreid Normand
Mabel Normand-Cody
Muriel Fortescue
メーベル・ノーマンド
Birthplace:
New Brighton, Staten Island, New York, USA
Born:
November 9, 1893
Died:
February 23, 1930
Mabel Normand (November 10, 1892– February 23, 1930) was an American silent film comedienne and actress, a popular star of Mack Sennett's Keystone Studios and noted as one of the film industry's first female screenwriters, producers and directors. Onscreen she appeared in a dozen commercially successful films with Charles Chaplin and seventeen with Roscoe "Fatty" Arbuckle, occasionally writing and directing movies featuring Chaplin as her leading man as well as sometimes co-writing and co-directing with Chaplin in films in which they played the lead roles. At the height of her career in the late 1910s and early 1920s, Normand had her own movie studio and production company. Throughout the 1920s her name was linked with widely publicized scandals including the 1922 murder of William Desmond Taylor and the 1924 shooting of Courtland S. Dines, who was shot by Normand's chauffeur with her pistol. She was not a suspect in either crime. Her film career declined, possibly due to both scandals and a recurrence of tuberculosis in 1923, which led to a decline in her health, retirement from films and her death in 1930 at age 37. Mabel Normand has a star on the Hollywood Walk of Fame for her contributions to Motion Pictures, at 6821 Hollywood Boulevard. Her film Mabel's Blunder (1914) was added to the National Film Registry in December 2009. In June 2010, the New Zealand Film Archive reported the discovery of a print of Normand's film Won in a Closet (exhibited in New Zealand under its alternate title Won in a Cupboard), a short comedy previously believed lost. This film is a significant discovery, as Normand directed the movie and starred in the lead role, making it a showcase for her talents on both sides of the camera.
Director:
1914 Caught in a Cabaret
1914 Love and Gasoline
1914 Mabel at the Wheel
1914 Mabel's Blunder
1914 Mabel's Strange Predicament
1914 Mabel’s Bear Escape
1914 Mabel’s Nerve
1914 Mabel’s Stormy Love Affair
1914 Won in a Closet
1915 Mabel Lost and Won
1915 Mabel and Fatty Viewing the World's Fair at San Francisco
Producer:
1914 Caught in a Cabaret
1914 Love and Gasoline
1914 Mabel at the Wheel
1914 Mabel's Blunder
1914 Mabel's Strange Predicament
1914 Mabel’s Bear Escape
1914 Mabel’s Nerve
1914 Mabel’s Stormy Love Affair
1914 Won in a Closet
1915 Mabel Lost and Won
1915 Mabel and Fatty Viewing the World's Fair at San Francisco
1918 Mickey
Writer:
1912 The Engagement Ring
1912 The Tragedy of a Dress Suit
1914 Caught in a Cabaret
1914 Love and Gasoline
1914 Mabel at the Wheel
1914 Mabel's Blunder
1914 Mabel's Busy Day
1914 Mabel's Married Life
1914 Mabel's Strange Predicament
1914 Mabel’s Bear Escape
1914 Mabel’s Nerve
1914 Mabel’s Stormy Love Affair
1914 Won in a Closet
1915 Mabel Lost and Won
1915 Mabel and Fatty Viewing the World's Fair at San Francisco
1918 Mickey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.