A work in constant progress (and occasional regress).
Alias:
Ed Cronjager
Eddie Cronjager
Edward Cronjaeger
Birthplace:
New York City, New York, USA
Born:
March 21, 1904
Died:
June 15, 1960
From Wikipedia, the free encyclopedia Edward Cronjager (March 21, 1904 – June 15, 1960) was an American cinematographer, whose career spanned from the silent era through the 1950s. He came from a family of cinematographers, with his father, uncle, and brother all working in the film industry behind the camera. His work covered over 100 films, and included projects on the small screen towards the end of his career. He filmed in both black and white and color mediums, and his work received nominations for seven Academy Awards over the span of three decades, although he never won the statue. He was the preferred director of photography of early film star Richard Dix, and served on several Academy of Motion Picture Arts and Sciences (AMPAS) committees, as well as being selected by the American Society of Cinematographers (ASC) to test new types of film stock. Cronjager pioneered several new techniques and types of cinematography, developing new camera angles in the 1920s, working on one of the earliest film noirs in the 1940s, and using CinemaScope in underwater photography in the 1950s.
Cinematography:
1926 Let's Get Married
1931 Young Donovan's Kid
1938 Keep Smiling
1941 A Very Young Lady
1943 Margin for Error
Director:
1926 Let's Get Married
1931 Young Donovan's Kid
1938 Keep Smiling
1941 A Very Young Lady
1943 Margin for Error
1952 Y la Argentina detuvo su corazón
Director of Photography:
1926 Let's Get Married
1926 Say It Again
1926 The Quarterback
1927 Knockout Reilly
1929 Fashions in Love
1929 Redskin
1929 Seven Keys to Baldpate
1929 The Virginian
1929 The Wheel of Life
1930 He Knew Women
1930 Lovin' the Ladies
1930 Shooting Straight
1931 Cimarron
1931 Night Beat
1931 Scratch-As-Catch-Can
1931 Secret Service
1931 The Public Defender
1931 Young Donovan's Kid
1932 Bird of Paradise
1932 Hell's Highway
1932 Roar of the Dragon
1932 The Conquerors
1932 The Lost Squadron
1933 Ann Vickers
1933 If I Were Free
1933 Sweepings
1933 The Monkey's Paw
1934 Down to Their Last Yacht
1934 Kentucky Kernels
1934 Lightning Strikes Twice
1934 Spitfire
1934 Strictly Dynamite
1935 Enchanted April
1935 In Person
1935 Jalna
1935 Roberta
1935 The Nitwits
1936 The Texas Rangers
1936 Three Married Men
1936 Yellow Dust
1937 One in a Million
1937 Thin Ice
1937 Wake Up and Live
1937 Wife, Doctor and Nurse
1938 Gateway
1938 Keep Smiling
1939 Everything Happens at Night
1939 Heaven with a Barbed Wire Fence
1939 The Escape
1939 The Gorilla
1939 Too Busy to Work
1940 Girl in 313
1940 I Was an Adventuress
1940 Young People
1941 A Very Young Lady
1941 I Wake Up Screaming
1941 Rise and Shine
1941 Sun Valley Serenade
1941 Western Union
1942 Life Begins at Eight-Thirty
1942 The Pied Piper
1942 To the Shores of Tripoli
1943 Heaven Can Wait
1943 Margin for Error
1943 The Gang's All Here
1944 Home in Indiana
1945 Nob Hill
1946 Canyon Passage
1946 Colonel Effingham's Raid
1946 Do You Love Me
1947 Desert Fury
1947 Honeymoon
1948 An Innocent Affair
1948 On Our Merry Way
1948 Relentless
1948 The Countess of Monte Cristo
1950 House by the River
1950 The Capture
1951 Best of the Badmen
1951 I'd Climb the Highest Mountain
1952 Lure of the Wilderness
1952 Y la Argentina detuvo su corazón
1953 Beneath the 12-Mile Reef
1953 Powder River
1953 Treasure of the Golden Condor
1954 The Siege at Red River
1960 The Girl in Lovers Lane
1960 The Threat
1961 Devil's Partner
Director of Photography:
1959 Black Saddle
1960 The Westerner
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.