A work in constant progress (and occasional regress).
Additional Camera:
2014 Grace of Monaco
Assistant Camera:
1998 Foul Play
2014 Grace of Monaco
Camera Operator:
1998 Foul Play
2013 Electra, for Instance
2014 Grace of Monaco
2021 We are Red Star
Cinematography:
1998 Foul Play
1998 Loin du front
2001 The Adolescent
2004 Le Dieu Saturne
2007 Salut Vladimir !
2008 Adieu la rue des radiateurs – Nina
2013 Electra, for Instance
2014 Grace of Monaco
2021 We are Red Star
2023 COOL (News from Belarus)
2024 Rue du Conservatoire
Director of Photography:
1998 Foul Play
1998 Loin du front
2001 L'Étonnement
2001 The Adolescent
2003 Mystification ou L'histoire des portraits
2004 Le Dieu Saturne
2006 Octobre
2007 Guillaume et les sortilèges
2007 Primrose Hill
2007 Salut Vladimir !
2008 Adieu la rue des radiateurs – Nina
2008 Avant que tu reviennes
2008 I Did Not Die
2008 Le Gros Lucas
2008 Le Jour où Ségolène a gagné
2009 Montparnasse
2010 La République
2010 Memory Lane
2010 Time of the Gifts
2011 Declaration of War
2011 Lads & Jockeys
2012 Cap Nord
2012 Hand in Hand
2013 Animal Serenade
2013 Electra, for Instance
2013 Just Love!
2014 Grace of Monaco
2015 The Great Game
2015 This Summer Feeling
2016 I Am Not a Swan
2016 Le Ramage et le Plumage
2016 The Apple of My Eye
2017 Vitalium, Valentine !
2018 Amanda
2019 Alice and the Mayor
2019 Cavatine
2020 James Tissot: L'étoffe d'un peintre
2020 L’Homme qui part
2021 Malmousque by the Sea
2021 We are Red Star
2022 Don Juan
2022 Little Solange
2022 The Green Perfume
2022 The Passengers of the Night
2023 Big Kids
2023 COOL (News from Belarus)
2023 My Dear Spies
2024 Being Maria
2024 Rue du Conservatoire
2025 Ari
???? Le Retour au pays de l’enfance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.